
Backrooms’ Kane Parsons Sings Osgood Perkins’ Praises
Key Takeaways
- •Kane Parsons, 20, becomes A24’s youngest ever director.
- •*Backrooms* stars Chiwetel Ejiofor and Renate Reinsve in sci‑fi horror.
- •Osgood Perkins mentors Parsons, after *Longlegs* $128M success.
- •Film adapts viral Backrooms creepypasta, YouTube series amassed 197M views.
- •Release set for May 29, positioning A24 in horror market.
Pulse Analysis
Kane Parsons, known for his KANEpixels YouTube channel, has leap‑frogged from short‑form internet content to a full‑length feature with A24’s *Backrooms*. At just 20 years old, he becomes the youngest director ever hired by the boutique studio, a move that underscores A24’s willingness to gamble on digital‑native talent. The film translates the viral “Backrooms” creepypasta—a liminal‑space horror myth that has amassed over 197 million views across Parsons’ 24‑episode series—into a sci‑fi thriller starring Chiwetel Ejiofor and Renate Reinsve. The transition illustrates how online followings can now serve as a launchpad for mainstream cinema.
Osgood Perkins, whose 2024 thriller *Longlegs* turned a sub‑$10 million budget into a $128 million global haul, serves as Parsons’ on‑set mentor. Perkins’ experience in low‑budget horror that punches above its weight provides Parsons with a practical blueprint for maximizing production value while preserving a distinctive aesthetic. Their collaboration in Vancouver blended Perkins’ seasoned crew with Parsons’ digital‑savvy vision, creating a hybrid workflow that could become a template for future indie projects. The mentorship signals a growing willingness among established genre veterans to nurture the next generation of creators emerging from online platforms.
The timing of *Backrooms* aligns with A24’s broader push into horror, a genre that consistently delivers strong returns on modest budgets. By tapping into a pre‑existing internet myth with a built‑in fan base, the studio mitigates marketing risk while courting younger audiences accustomed to streaming and meme culture. If the film replicates the box‑office efficiency of *Longlegs*, it could reinforce A24’s reputation as a launchpad for breakout horror franchises. Moreover, Parsons’ success may encourage other platforms to scout talent from YouTube and TikTok, reshaping the pipeline for indie filmmaking.
Backrooms’ Kane Parsons sings Osgood Perkins’ praises
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