Filming Has Wrapped on Urania in Rome - Production / Funding - Italy

Key Takeaways

• Filming of Pier Lorenzo Pisano's debut feature _Urania_ completed in Rome
• Produced by Fandango and Eolo Film, backed by veteran producer Domenico Procacci
• Cast includes rising star Gala Martinucci and award‑winning actress Barbora Bobulova
• Story follows a teen with sci‑fi books who can alter reality
• Music by Francesco Bianconi of rock band Baustelle adds contemporary edge

Pulse Analysis

Pier Lorenzo Pisano, a 35‑year‑old Naples native known for award‑winning shorts, has moved from the festival circuit to feature‑length territory with _Urania_. The production, wrapped this week in Rome, is a joint effort by Fandango—headed by veteran producer Domenico Procacci—and Eolo Film, a boutique company that has backed several recent Italian art‑house successes. By securing financing and logistical support from two of Italy’s most respected independent studios, Pisano positions his debut for both domestic distribution and international festival attention, a pathway that has launched many contemporary Italian auteurs.

_Urania_ tells the story of Bianca, a sixteen‑year‑old grappling with her father’s death, who inherits a cache of classic sci‑fi novels that grant her the ability to rewrite history. The premise blends personal grief with speculative fiction, echoing a growing trend in European cinema that uses genre conventions to explore psychological trauma. The film’s visual language—shaped by cinematographer Francesco di Giacomo and set designer Roberto De Angelis—aims to juxtapose the gritty realism of Rome’s neighborhoods with the luminous possibilities of alternate timelines, offering a fresh aesthetic for Italian genre filmmaking.

The ensemble cast combines seasoned talent and emerging faces. Barbora Bobulova, a David di Donatello‑winning actress, lends gravitas as Bianca’s mother, while Gala Martinucci makes her second screen appearance, building on a debut that earned festival buzz. Supporting actors such as Valentina Romani and Adriano Giannini round out a lineup that should attract both critics and mainstream audiences. With a soundtrack by Francesco Bianconi of the indie rock group Baustelle, the film is poised to resonate on the festival circuit, potentially securing sales at Cannes or Berlin and strengthening Italy’s export of genre‑driven narratives.