Loco Films Boasts Two Strong Assets in the Cannes Showcases - Cannes 2026 – Marché Du Film

Key Takeaways

• Loco Films showcases two debut features at Cannes 2026
• *Alive* competes in Critics’ Week, directed by Aina Clotet
• *Marvelous Mornings* screens in Official Selection, debut by Avril Besson
• Both films target international sales through Marché du Film
• Loco also markets award‑winning *Chronicles From the Siege* and *Sicko*

Pulse Analysis

Cannes’ Marché du Film remains the world’s premier marketplace for film rights, where sales agents like Loco Films vie for distribution deals that can launch a title onto the global stage. By positioning two first‑feature projects in high‑visibility sections—Critics’ Week for *Alive* and an Official Selection Special Screening for *Marvelous Mornings*—Loco signals confidence in the commercial appeal of emerging directors. The festival’s buyer traffic, combined with the prestige of Cannes programming, often translates into multi‑territory agreements that can recoup production costs and fund future projects.

*Alive*, Aina Clotet’s narrative about a woman confronting mortality, brings a seasoned actress‑turned‑director to the spotlight, backed by a cast that includes Naby Dakhli and Marc Soler. Its thematic depth and European co‑production pedigree (Ikiru Films and Funicular Film) make it attractive to art‑house distributors and streaming platforms seeking compelling drama. Meanwhile, *Marvelous Mornings* offers a light‑hearted road‑trip romance anchored by rising star India Hair, with a quirky premise that resonates with audiences craving feel‑good cinema. Both films benefit from Loco’s established relationships with buyers, increasing the likelihood of robust sales across North America, Europe, and emerging markets.

Beyond the two debuts, Loco’s broader slate—including the Berlin‑awarded *Chronicles From the Siege* and Kazakh thriller *Sicko*—demonstrates a diversified risk strategy. By coupling fresh talent with proven festival successes, the agency positions itself to capture a wider buyer spectrum, from boutique art‑house circuits to mainstream streaming services. This approach not only bolsters Loco’s revenue pipeline but also contributes to the vitality of the international independent film ecosystem, where new voices need market access to thrive.