A Chat With L.A.’s New Film Czar on ‘Baywatch’ — and How the City Is Trying to Cut Red Tape

A Chat With L.A.’s New Film Czar on ‘Baywatch’ — and How the City Is Trying to Cut Red Tape

The Hollywood Reporter (Business)
The Hollywood Reporter (Business)Apr 17, 2026

Companies Mentioned

Why It Matters

By cutting red tape, the city lowers production costs, keeping big‑budget projects and associated tax revenue in Los Angeles. This strengthens LA’s competitive edge against rival filming locations.

Key Takeaways

  • Steve Kang appointed L.A.’s film liaison to cut permitting delays.
  • Baywatch reboot returned to L.A., receiving 20% city lot discount.
  • City coordinated with County and state agencies for beach filming approvals.
  • Rapid barrier removal on downtown streets prevents production disruptions.
  • Quarterly joint meetings aim to streamline multi‑jurisdictional film permits.

Pulse Analysis

Los Angeles has long been the epicenter of U.S. film and television, but rising competition from tax‑incentive‑rich states and overseas locales has strained the city’s production pipeline. Mayor Karen Bass, facing a looming production crisis that could affect her reelection, created a high‑level film czar position to act as a single point of contact for studios. This move mirrors a broader industry trend where municipalities appoint dedicated liaisons to navigate complex permitting landscapes and protect local economic interests.

Steve Kang, the city’s new film liaison, has already demonstrated the power of centralized authority. When the Baywatch reboot decided to film on Venice Beach instead of Australia, Kang secured a 20% discount on a city lot and fast‑tracked approvals that normally bounce between the Building and Safety Department, Beaches & Harbors, and the Coastal Commission. He also negotiated temporary barrier removals on downtown streets, preventing costly delays for crews. By directly coordinating with Los Angeles County officials, Kang ensured that beach‑related permits were processed swiftly, showcasing how a concierge‑style service can translate into tangible budget savings for productions.

The long‑term impact hinges on institutionalizing this streamlined approach. Starting in May, the city will hold quarterly joint meetings with county and state agencies to address overlapping jurisdictional hurdles, a practice previously absent in LA’s fragmented system. If successful, these collaborations could reduce permit turnaround times by weeks, making the city more attractive for high‑budget projects and preserving billions in local tax revenue. For investors and studio executives, the message is clear: a more efficient permitting process in Los Angeles can directly boost bottom lines and sustain the region’s status as the premier global filming hub.

A Chat With L.A.’s New Film Czar on ‘Baywatch’ — and How the City Is Trying to Cut Red Tape

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