First Trailer for Kiwi Comedy 'I, Object' About a Boy Talking to Objects

Why It Matters

The film showcases Kiwi cinema’s growing export potential and demonstrates how an established director can attract international interest with a modest‑budget, emotionally resonant project.

Key Takeaways

• Andrew Niccol directs new Kiwi coming‑of‑age film 'I, Object'.
• Story follows 10‑year‑old Tom conversing with everyday objects after loss.
• Cast includes Bentley Storteboom, Skywalker Hughes, Anna Faris, Karl Urban.
• New Zealand release set for July 23, 2026; U.S. date pending.

Pulse Analysis

The trailer for Andrew Niccol’s latest project, I, Object, reveals a whimsical yet emotionally resonant coming‑of‑age tale set in New Zealand. The film follows ten‑year‑old Tom, played by newcomer Bentley Storteboom, who copes with his father’s sudden death by hearing voices from everyday objects. Niccol, known for cerebral sci‑fi such as Gattaca and Anon, pivots to a family‑friendly narrative while retaining his signature blend of imagination and technology. Supporting performances from Skywalker Hughes, Anna Faris and Karl Urban add depth to the modest ensemble.

The release strategy underscores the growing confidence in Kiwi cinema as a source of exportable content. Umbrella Entertainment’s July 23, 2026 theatrical debut positions I, Object alongside other New Zealand titles that have successfully crossed over to international markets, such as The Bounty and Hunt for the Wilderpeople. Although a U.S. date has not been announced, the film’s universal theme of grief‑induced imagination and its recognizable cast make it a viable candidate for limited art‑house runs or streaming platforms seeking fresh, emotionally driven stories.

For investors and distributors, the project illustrates how established directors can leverage indie budgets to explore new genres without sacrificing brand equity. Niccol’s involvement brings a built‑in audience of sci‑fi enthusiasts, while the family‑oriented premise broadens appeal to parents and younger viewers. If the film garners strong word‑of‑mouth in New Zealand, it could accelerate negotiations for a U.S. release, potentially boosting ancillary revenues from merchandise, soundtrack licensing, and future franchise development.