How Exploring the Death-Care Industry Brought Anselm Chan the Highest-Grossing Film in Hong Kong Movie History

How Exploring the Death-Care Industry Brought Anselm Chan the Highest-Grossing Film in Hong Kong Movie History

Monocle – Culture
Monocle – CultureMay 2, 2026

Companies Mentioned

Why It Matters

The film’s record‑breaking run signals a revival for Hong Kong cinema, showing that culturally specific stories can compete with Hollywood franchises and attract regional audiences. It also underscores a growing appetite for content that confronts taboo subjects in a post‑pandemic world.

Key Takeaways

  • The Last Dance sold over 2 million Hong Kong tickets.
  • Film became Hong Kong’s all‑time box‑office champion.
  • Story set in funeral parlour tackles death‑care taboos.
  • Success highlights demand for locally rooted, mature narratives.
  • Chan plans historical drama on 1960s Hong Kong polygamy.

Pulse Analysis

Hong Kong’s film industry has faced shrinking budgets, talent drain and fierce competition from streaming giants. Yet *The Last Dance* shattered expectations, pulling in record crowds that rivaled Hollywood releases. By partnering with Emperor Motion Pictures—a stalwart studio that previously backed hits like *Project Gutenberg*—Chan leveraged strong distribution channels while delivering a fresh, locally resonant story. The film’s box‑office triumph demonstrates that strategic backing combined with authentic storytelling can revive a market that many thought was destined for decline.

The movie’s focus on death‑care rituals tapped into a collective grief that lingered after the COVID‑19 pandemic. Audiences, many of whom missed the chance to say goodbye to loved ones, found solace in a narrative that treated mourning with honesty and cultural specificity. By exposing the inner workings of funeral parlours and questioning traditional Taoist rites, the film turned a taboo into a point of connection, proving that mature, socially relevant themes can drive commercial success when presented with cinematic flair.

Looking ahead, Chan’s upcoming historical drama on 1960s polygamy suggests a continued appetite for bold, locally grounded projects. His ability to blend commercial viability with daring subject matter may inspire other Hong Kong creators to pursue stories that reflect the city’s unique heritage. As regional audiences seek content that mirrors their own experiences, studios that invest in such narratives could see renewed profitability, potentially reshaping the industry’s trajectory for the next decade.

How exploring the death-care industry brought Anselm Chan the highest-grossing film in Hong Kong movie history

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