Universal’s ‘The Super Mario Galaxy Movie’ Again Tops Weekly Fandango at Home Chart Through June 7

Why It Matters

The ranking demonstrates the growing profitability of premium digital releases and the ability of strong franchises to dominate the TVOD market, reshaping revenue strategies for studios.

Key Takeaways

• Super Mario Galaxy Movie leads Fandango at Home revenue week ending June 7.
• Bundle of two Mario movies ranks No. 4 on the digital chart.
• Guy Ritchie’s In the Grey holds second place with Cavill, Gyllenhaal.
• Project Hail Mary falls to No. 4 after strong opening week.
• Lee Cronin’s The Mummy returns to top ten after premium run.

Pulse Analysis

Universal’s animated “The Super Mario Galaxy Movie” has held the No. 1 spot on Fandango at Home’s revenue chart for the third consecutive week, covering the period ending June 7. The sequel, released for premium digital purchase and rental on May 19, builds on the unprecedented box‑office success of the 2023 “Super Mario Bros. Movie” and taps a multigenerational fan base. By delivering the film directly to consumers’ living rooms, Universal is capitalizing on the growing appetite for high‑profile franchise titles in the transactional‑video‑on‑demand (TVOD) segment.

The weekly ranking also highlights the power of bundling: a combined package of the two Mario movies secured the No. 4 position, demonstrating that studios can extend the revenue tail of a hit franchise beyond its initial release window. Guy Ritchie’s “In the Grey” held steady at No. 2, while sci‑fi thriller “Project Hail Mary” slipped to No. 4, indicating that new releases can still compete but must contend with established IPs. Horror entries “Hokum” and Lee Cronin’s “The Mummy” round out the top five, showing genre diversity in the digital marketplace.

For the industry, the data underscores a shift toward front‑loading earnings through premium digital sales rather than waiting for traditional streaming deals. Studios are increasingly using early‑access pricing and bundle offers to maximize lifetime value, especially for properties with strong brand equity like Mario. As consumers grow accustomed to paying for immediate home access, we can expect more high‑budget sequels and original titles to debut on platforms such as Fandango at Home, reshaping revenue models for both major studios and independent producers.