98th Oscars: Production Design | Meet The Nominees

Why It Matters

Production design shapes audience immersion and can sway award outcomes, prompting studios to invest more in authentic world‑building.

Key Takeaways

• Scouting Edinburgh informed Frankenstein’s visual palette and architecture.
• Period-accurate lab design balances scale with creature’s size.
• Designers map film movement using garden and childhood references.
• Local sourcing and community contacts enrich authentic set details.
• American narrative drives color scheme of red, white, and blue.

Summary

The 98th Academy Awards’ Production Design segment spotlights the nominees, revealing how each film’s visual world is crafted. Designers discuss their processes, from early research to on‑set execution, illustrating why production design is a decisive storytelling element.

Across the nominees, common threads emerge: extensive location scouting, period‑accurate detailing, and mapping narrative movement. For the Frankenstein entry, designers walked Edinburgh’s streets to capture a gothic palette, while another team built a massive, historically‑accurate lab that visually dwarfs the creature to maintain scale.

Specific anecdotes underscore the hands‑on approach. One designer recalled a colleague arriving with a bag of dirt from Clarksdale, instantly shaping the film’s American‑story aesthetic. Others described layering authentic flora, local crafts, and community‑sourced props to achieve deep realism, treating sets almost like documentary environments.

These insights highlight production design’s growing influence on audience immersion and awards recognition. As studios allocate larger budgets to authentic world‑building, the craft’s visibility at the Oscars signals heightened industry emphasis on visual authenticity and narrative cohesion.

Original Description

Get a glimpse into the minds that created the worlds in this year's most visually stunning films with our exclusive look at the 98th Oscars production design nominees.

PRODUCTION DESIGN NOMINEES

FRANKENSTEIN

Production Design: Tamara Deverell; Set Decoration: Shane Vieau

HAMNET

Production Design: Fiona Crombie; Set Decoration: Alice Felton

MARTY SUPREME

Production Design: Jack Fisk; Set Decoration: Adam Willis

ONE BATTLE AFTER ANOTHER

Production Design: Florencia Martin; Set Decoration: Anthony Carlino

SINNERS

Production Design: Hannah Beachler; Set Decoration: Monique Champagne

Watch the Oscars Nominations Announcement ►► https://www.youtube.com/watch?v=ZaLpXqSoTlE

Learn more about the Nominees ►► https://www.youtube.com/watch?v=NggFNj-C2Po&list=PLJ8RjvesnvDPgVPZQ0EDQ0Xkm4IzWgf9B

The 98th Oscars will be LIVE on Sunday, March 15th at 7e/4p, and televised live on ABC and Hulu and in more than 200 territories worldwide.

HOW TO WATCH THE OSCARS ►► https://www.oscars.org/how-to-watch/international.html

Watch more Oscars 98 Highlights ►► https://www.youtube.com/watch?v=ZaLpXqSoTlE&list=PLJ8RjvesnvDPqkxnWq09AJVBRj3g0viUz

Subscribe for more #Oscars videos ►► http://osca.rs/subscribeyt

98th Oscars: Production Design | Meet The Nominees

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