George – ‘Looking For Consonance’

George – ‘Looking For Consonance’

London Jazz News
London Jazz NewsJun 3, 2026

Key Takeaways

  • Album honors George Floyd, weaving political themes into jazz compositions
  • Hollenbeck blends complex rhythms with synth‑pop textures, expanding modern jazz
  • New collaborators Anna Webber, Sarah Rossy, Chiquita Magic bring fresh voices
  • Tracks feature covers of Lebanese Rhabani Brothers and Mercedes Sosa, adding global depth
  • Critical reception highlights balance of improvisational integrity and pop accessibility

Pulse Analysis

John Hollenbeck’s "George – ‘Looking For Consonance’" arrives at a moment when jazz artists are increasingly using their platforms for social advocacy. By naming the record after George Floyd and embedding the name throughout the tracklist, Hollenbeck aligns his music with the broader movement for racial justice. This deliberate political framing not only honors a pivotal figure but also signals to listeners that contemporary jazz can be both aesthetically adventurous and culturally resonant.

Musically, the album pushes the envelope of modern jazz through a hybrid of intricate rhythmic structures and synth‑driven soundscapes. Hollenbeck’s signature four‑to‑the‑floor grooves intersect with stuttering melodies, saw‑wave synths, and minimalist repetition, creating a texture that feels both cerebral and accessible. The inclusion of global covers—one from the Lebanese Rhabani Brothers and another by Argentine legend Mercedes Sosa—adds a multicultural dimension, underscoring the genre’s expanding vocabulary and its capacity to dialogue with world music traditions.

The roster of emerging musicians further amplifies the record’s impact. Saxophonist/flutist Anna Webber delivers versatile lines that swing between lyricism and aggression, while vocalist Sarah Rossy navigates complex harmonies with effortless style. Chiquita Magic’s synth work eschews retro gimmicks, offering fresh, low‑key bass tones that complement the ensemble’s dynamic range. Together, these contributors reinforce a narrative of renewal within jazz, suggesting that the genre’s future lies in collaborative experimentation that remains rooted in social consciousness.

George – ‘Looking For Consonance’

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