Interview: Houses We Die In

Key Takeaways

• EP 'A Brief Glimpse of Solace' released May 2026.
• Band employs three-guitar lineup for layered metalcore sound.
• Signed with Paper Wings Records after 'Poison' single caught label’s attention.
• West Coast tour slated for June 2026, expanding fanbase.
• Artwork commissioned from Austin artist Lauren Hua, adding visual identity.

Pulse Analysis

The Texas metalcore revival is gaining momentum as independent acts like Houses We Die In blend nostalgic aggression with contemporary polish. Their new EP, "A Brief Glimpse of Solace," taps into the mid‑2000s sound of Underoath and Poison the Well while injecting melodic hooks and layered guitar work. By partnering with Paper Wings Records—a label known for nurturing regional talent—the band gains access to distribution channels and promotional expertise that amplify streaming numbers and playlist placements.

A standout feature of the EP is the three‑guitar arrangement, a rarity in modern metalcore that allows for intricate harmonies and dynamic shifts. This structural choice, combined with polished production and a visual package created by Austin artist Lauren Hua, differentiates the release in a crowded market. Listeners hear a balance of screaming, clean vocals, and synth textures that broaden the band’s appeal beyond hardcore purists, positioning them for crossover opportunities on alternative radio and digital platforms.

From a business perspective, the timing of a West Coast tour in June 2026 aligns with the EP’s launch, creating a synergistic push for ticket sales, merch revenue, and fan‑base expansion. The tour also serves as a live showcase for the label, potentially attracting festival bookers and larger touring partners. As streaming continues to dominate revenue streams, the band’s strategic branding—musical, visual, and geographic—sets a foundation for sustainable growth in the competitive indie metal scene.