Mondays with Morgan: New Jazz Underground – New Album ‘Hoodies’

Mondays with Morgan: New Jazz Underground – New Album ‘Hoodies’

London Jazz News
London Jazz NewsJun 15, 2026

Key Takeaways

  • Hoodies released May 29 on Paris‑based Artwork Records.
  • YouTube virality secured NPR attention and a record‑label deal.
  • Abdias Armenteros subbed for Jazz at Lincoln Center Orchestra.
  • Album explores brotherhood, race, and pandemic resilience.
  • Touring began in Florida 2024 after DCJazzPrix win.

Pulse Analysis

The pandemic forced many jazz musicians to rethink how they connect with audiences, and New Jazz Underground turned that challenge into an opportunity. By posting performance videos on YouTube, the trio built a global following that far exceeded the reach of traditional club gigs. A single viral clip in late 2020 caught the eye of NPR’s Lars Gotrich, which in turn opened doors to an A&R representative and a contract with Artwork Records, a label based in Paris. This digital‑first strategy illustrates how modern jazz acts can bypass conventional gatekeepers and secure industry backing through online momentum.

Hoodies, the group’s first full‑length record, is both a musical and sociopolitical statement. The tracks blend a blues suite written in 2023 with compositions dating back to 2019, all framed by the concept of the hoodie as a symbol of neighborhood solidarity and racial profiling. Armenteros’s recent tenure with the Jazz at Lincoln Center Orchestra, secured after Wynton Marsalis offered him a subbing spot, adds a layer of institutional credibility to the project. The album’s lyrical focus on brotherhood among young men of colour resonates with broader conversations about representation and equity in the jazz world.

For the industry, New Jazz Underground’s trajectory underscores the growing importance of digital platforms as talent incubators. Labels are increasingly scouting YouTube metrics and social engagement to identify promising acts, while artists benefit from direct fan interaction and revenue streams that were previously unavailable. The success of Hoodies demonstrates that a well‑executed online presence can translate into tangible outcomes—tour bookings, media coverage, and record deals—while also advancing diversity on stage. As streaming and video continue to dominate music consumption, jazz groups that master these channels are poised to shape the genre’s future both artistically and commercially.

Mondays with Morgan: New Jazz Underground – new album ‘Hoodies’

Comments

Want to join the conversation?