Festival News: All Things Go Reveals All-Female Lineup

Why It Matters

The all‑female bill positions All Things Go as a leader in inclusive programming, likely drawing broader audiences and sponsors seeking diversity. It also signals a market trend where festivals use gender‑balanced rosters to stand out in an increasingly competitive live‑music landscape.

Key Takeaways

• All Things Go's third NY edition features an all‑female bill
• Headliners Zara Larsson, Brandi Carlile and Muna anchor three‑day lineup
• Forest Hills Stadium holds 13,000 fans, operated by AEG
• Lineup includes Rebecca Black, Cara Delevingne, CMAT, and Carly Rae Jepsen
• Move signals growing demand for gender‑balanced festival programming

Pulse Analysis

The decision to present an all‑female roster at All Things Go reflects a growing industry emphasis on gender parity, a factor that can boost ticket sales and attract brands eager to associate with inclusive events. Audiences are increasingly valuing diversity on stage, and festivals that respond quickly can capture media attention and differentiate themselves from the crowded summer calendar. By spotlighting artists like Zara Larsson and Brandi Carlile, the festival taps into fan bases that span pop, folk and indie, widening its demographic reach.

Located in Queens, the 13,000‑seat Forest Hills Stadium—operated by AEG—offers a rare outdoor venue of its size in New York City. This capacity allows All Things Go to generate significant revenue while maintaining an intimate atmosphere that independent festivals prize. The venue’s historic charm, combined with AEG’s logistical expertise, positions the festival to deliver a high‑production experience without the overhead of larger stadiums, making it attractive to both emerging and established acts seeking a curated platform.

All Things Go’s announcement arrives amid a flurry of festival line‑up reveals, from Afro Nation’s Afro‑centric roster in Portugal to BST Hyde Park’s K‑pop headline ATEEZ and Ohana Festival’s tenth‑anniversary celebration with Pearl Jam. This competitive environment pushes organizers to innovate, and gender‑focused programming is emerging as a key differentiator. As festivals vie for limited sponsorship dollars and streaming partnerships, those that champion diversity are likely to secure stronger brand alliances and sustain audience growth in the post‑pandemic live‑music market.