‘It’s a Family Affair’: Errol and Alex Rita on 10 Years of Touching Bass

‘It’s a Family Affair’: Errol and Alex Rita on 10 Years of Touching Bass

Dazed
DazedApr 29, 2026

Why It Matters

Touching Bass’s decade‑long growth demonstrates how independent collectives can scale globally without major label backing, reshaping revenue models for underground electronic music. The tour’s cross‑border collaborations signal a broader appetite for grassroots‑driven festivals in Europe and beyond.

Key Takeaways

  • Touching Bass marks ten years with self‑produced global tour
  • Founders Errol and Alex Rita emphasize family‑like collective ethos
  • Recent Berlin show partnered with SHUSH, expanding European footprint
  • DIY approach sidesteps major label contracts, retaining creative control
  • Tour showcases emerging UK electronic talent to new markets

Pulse Analysis

The ten‑year milestone of Touching Bass underscores a shift in the underground electronic scene, where collectives are evolving from local parties into internationally touring brands. By handling production, booking, and promotion in‑house, Errol and Alex Rita have built a scalable model that leverages social media buzz and word‑of‑mouth to fill venues from London to Berlin. This self‑sufficient framework reduces overhead, keeps a larger share of ticket and merchandise revenue, and allows the duo to curate line‑ups that reflect their community‑first philosophy.

A key element of the TB10 tour is strategic partnership with like‑minded entities such as Berlin’s SHUSH label and soundsystem. The collaboration not only broadened the collective’s reach into the German market but also created a cultural exchange that amplifies both brands. By aligning with established European players, Touching Bass taps into existing fan bases, reduces entry barriers, and showcases UK talent to a receptive continental audience. This cross‑pollination is increasingly common as independent promoters seek to diversify revenue streams beyond domestic gigs.

From a business perspective, Touching Bass illustrates how grassroots music ventures can monetize through multiple channels: ticket sales, limited‑edition merch, live‑streamed sets, and brand sponsorships that align with the collective’s aesthetic. Their DIY ethos resonates with a generation of fans who value authenticity over polished mainstream productions. As the collective continues its world tour, the model offers a blueprint for other underground acts aiming to expand globally while preserving artistic independence, potentially reshaping the economics of the electronic music industry.

‘It’s a family affair’: Errol and Alex Rita on 10 years of Touching Bass

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