MARK KENDALL On New GREAT WHITE Songs: 'We Have Three Ready To Go, But We Have Seven On Tape'

MARK KENDALL On New GREAT WHITE Songs: 'We Have Three Ready To Go, But We Have Seven On Tape'

Blabbermouth
BlabbermouthMay 31, 2026

Why It Matters

The update signals a legacy rock act re‑energizing its catalog, which could attract both longtime fans and new listeners, bolstering touring revenue and streaming relevance.

Key Takeaways

  • Three songs are fully ready; ~16 tracks in progress
  • Brett Carlisle, 30, praised for vocal fit and live energy
  • Band maintains ’80s hard‑rock style despite new singer
  • Co‑writing spans coasts via file swaps, speeding song creation
  • Studio work delayed by members’ geographic separation

Pulse Analysis

Great White’s renewed studio activity underscores a broader trend of legacy rock bands capitalizing on nostalgia while seeking fresh material. By integrating Brett Carlisle—an almost‑30 vocalist with a deep‑rooted love for Van Halen, Skid Row and Metallica—the group preserves its signature hard‑rock sound yet injects youthful vigor. This blend appeals to the band’s loyal fanbase, which still packs venues, and to younger listeners discovering ’80s‑era riffs through streaming playlists. The three‑song readiness and a pool of 16‑17 demos suggest a disciplined songwriting pipeline, driven by guitarist Mark Kendall’s riff‑first approach and rapid remote collaboration with Carlisle.

The creative process reflects modern production realities: Kendall and Carlisle exchange ideas across California and Alabama, turning spontaneous vocal scats into full choruses within hours. Such efficiency mirrors how veteran acts now leverage digital tools to overcome geographic hurdles, a necessity highlighted by Great White’s scattered schedule of weekend shows. While the band has yet to book a full‑time studio, the existence of polished demos indicates they are poised to enter the recording phase once logistics align, potentially delivering a 2026 release that could revitalize catalog sales and tour ticket demand.

From a business perspective, a new Great White album offers multiple revenue streams. Physical releases and limited‑edition vinyl tap into collectors’ markets, while streaming algorithms favor fresh content, boosting playlist placements. Moreover, the band’s proven ability to draw sizable crowds—evident from recent Las Vegas shows—means a fresh record could amplify ticket sales on upcoming tours. In an industry where legacy acts increasingly rely on touring income, delivering new material not only satisfies fan expectations but also strengthens the group’s negotiating power with promoters and streaming platforms.

MARK KENDALL On New GREAT WHITE Songs: 'We Have Three Ready To Go, But We Have Seven On Tape'

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