Matías Aguayo: Anenoa Review | Ammar Kalia's Global Album of the Month

Matías Aguayo: Anenoa Review | Ammar Kalia's Global Album of the Month

The Guardian (Music)
The Guardian (Music)May 29, 2026

Why It Matters

Anenoa signals a resurgence of vocal experimentation in electronic dance music, reinforcing Aguayo’s influence on genre hybridity and expanding the market for Latin‑infused club tracks.

Key Takeaways

  • Aguayo’s first vocal album since 2019, reviving his signature voice
  • Tracks fuse Latin rhythms with ghetto‑house, trance, and synth‑pop
  • Guest singers Iarahei and Camille Mandoki add multicultural depth
  • Playful vocal processing creates contrast from chipmunk highs to baritone growls
  • Album underscores growing demand for genre‑blending dancefloor music

Pulse Analysis

Matías Aguayo has spent two decades shaping the avant‑garde of electronic music, first as a vocalist on tracks like Battles’ "Ice Cream" and later as a solo artist known for Afro‑Latin beats. His 2019 instrumental outing, Support Alien Invasion, marked a brief departure from singing, leaving fans curious about his next vocal statement. Anenoa arrives as a decisive re‑entry, marrying his chameleonic voice with a broader palette of club‑ready styles, and demonstrates how seasoned producers can reinvent themselves without abandoning their core identity.

Anenoa’s twelve tracks serve as a laboratory for vocal experimentation. The opener, "Sentimientos Encontraos," sets a kinetic tempo with syncopated Latin percussion, while "Asuka, Rock, Roll" leans into ghetto‑house swagger, and the trance‑heavy "Avestruz en Veracruz" showcases aggressive vocal pitch‑shifting. Collaborations with Iarahei and Camille Mandoki on "La Heredera" inject authentic Latin‑American timbres, reinforcing the album’s cross‑cultural ambition. Aguayo’s use of chipmunk‑high falsetto, spoken‑word snippets, and deep, processed baritone creates a dynamic contrast that keeps listeners engaged and encourages repeated spins on dancefloors worldwide.

The release arrives amid a growing appetite for genre‑blending electronic records that fuse Latin rhythms with European club sensibilities. Labels and streaming platforms are increasingly curating playlists that spotlight such hybrid sounds, recognizing their commercial viability in both North American and European markets. By delivering a vocal‑centric, rhythmically diverse project, Aguayo not only reasserts his artistic relevance but also taps into the expanding demand for music that bridges cultural borders, positioning Anenoa as a potential catalyst for future collaborations in the global electronic ecosystem.

Matías Aguayo: Anenoa review | Ammar Kalia's global album of the month

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