Mondays with Morgan: Ben Markley – New Big Band Album ‘Tuesday Morning Feeling’

Key Takeaways

• Markley's new album features original compositions, first big band of his own
• Core Colorado musicians anchor the ensemble, highlighting regional talent
• Guest artists like Terell Stafford add national jazz credibility
• Markley balances academic role with touring, bridging education and performance
• Album release on OA2 Records expands independent jazz label footprint

Pulse Analysis

Ben Markley’s Tuesday Morning Feeling marks a pivotal moment for contemporary big‑band jazz, as the Wyoming‑based pianist finally steps out of the tribute lane to present a full suite of his own compositions. In an industry where legacy catalogs often dominate, original material offers fresh revenue streams on streaming platforms and attracts listeners seeking new narratives. Independent label OA2 Records, known for championing niche jazz projects, benefits from the album’s blend of local authenticity and national guest star power, reinforcing its reputation as a curator of forward‑thinking jazz releases.

The Front Range of Colorado has quietly become a crucible for high‑level jazz, thanks in part to institutions like the University of Wyoming where Markley chairs the music department. His ensemble draws from a stable core of regional musicians, fostering a tight‑knit sound that rivals larger metropolitan scenes. By inviting acclaimed guests such as Terell Stafford and Steve Davis, Markley bridges the gap between local talent and the broader national circuit, creating a collaborative model that other university‑led ensembles can emulate to elevate their own profiles.

For jazz consumers, the album offers a compelling mix of sophisticated arrangements and emotive storytelling, appealing to both traditionalists and younger audiences exploring big‑band sounds on digital services. Markley’s dual identity as educator and bandleader positions him to influence the next generation of composers, potentially spawning more original big‑band projects from academic settings. As streaming algorithms favor fresh content, releases like Tuesday Morning Feeling could catalyze a modest resurgence of big‑band jazz, encouraging labels and venues to invest in new works rather than relying solely on standards.