Two Kinks Super Fans Wrote a Book So Exhaustive That It Apparently Pissed Off Ray Davies

Two Kinks Super Fans Wrote a Book So Exhaustive That It Apparently Pissed Off Ray Davies

Rolling Stone (Music)
Rolling Stone (Music)May 10, 2026

Why It Matters

The book sets a new benchmark for music‑history research, giving scholars and fans a definitive source while challenging the commercial space for artist‑authored memoirs.

Key Takeaways

  • Sandoval and Hinman released a day‑by‑day Kinks chronicle
  • Book details every recording, concert, TV appearance from 1940‑1971
  • Uses primary studio logs and rare UK music newspaper archives
  • Ray Davies fears it will diminish market for his own book
  • New demixing tech reveals hidden piano parts in Kinks recordings

Pulse Analysis

The launch of "The Kinks – All Day and All of the Night" marks a watershed moment for rock historiography. By cataloguing each day of the band’s existence from the Davies brothers’ birth through the 1971 "Lola Versus Powerman" era, the authors provide a granular map that surpasses traditional biographies. This day‑by‑day format satisfies a growing appetite among collectors, scholars, and streaming‑era listeners for precise context behind iconic tracks, and it positions the book as a reference work for future documentaries and academic studies.

What distinguishes the volume is its reliance on primary documentation rather than retrospective interviews. Sandoval and Hinman mined studio session logs, contemporaneous UK music papers such as NME, Disc and the now‑defunct Midland Beat, and even foreign‑language clippings that have only recently become translatable. The authors also confront the loss of most 1960s multitrack masters, turning a limitation into an opportunity by employing modern demixing software to isolate hidden piano parts and verify Ray Davies’ instrumental contributions. This blend of archival rigor and cutting‑edge audio forensics showcases how technology can revive forgotten details in music history.

The book’s exhaustive nature has commercial implications. Ray Davies, who intends to publish his own coffee‑table memoir, worries the new release will erode his potential market. Yet the rivalry underscores a broader shift: fan‑driven, data‑rich publications can pre‑empt artist‑led narratives, reshaping revenue streams for legacy acts. For the industry, the success of such detailed chronicles signals a viable niche for deep‑dive music titles, while fans gain an unparalleled resource to explore the cultural impact of one of Britain’s most influential rock groups.

Two Kinks Super Fans Wrote a Book So Exhaustive That It Apparently Pissed Off Ray Davies

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