‘We’re Working On Something’: Evanescence’s Amy Lee Teases Australia and New Zealand Tour

Why It Matters

A confirmed Oceania leg would add a high‑revenue market to Evanescence’s *Sanctuary* world tour and reinforce the growing demand for legacy rock acts paired with female‑fronted lineups. It signals promoters that demand for large‑scale rock concerts remains strong in the Asia‑Pacific region.

Key Takeaways

• Amy Lee hints at upcoming Australia & New Zealand tour
• Fans spotted pre‑order bundle offering early tour ticket access
• Evanescence last played region in 2025 supporting Metallica
• World tour for new album Sanctuary launches US in May
• Opening acts include Spiritbox, Poppy, K. Flay, Nova Twins

Pulse Analysis

Evanescence frontwoman Amy Lee’s off‑hand remark that the band is “working on something” for Australia and New Zealand has ignited a fresh wave of speculation among fans and industry watchers. The buzz began when Australian merch site Merch Jungle listed a pre‑order package for the upcoming album *Sanctuary* that promised early access to tickets for a yet‑to‑be‑announced regional tour. While Lee’s response in Rolling Stone AU/NZ was deliberately vague, the combination of a tangible ticket bundle and the band’s recent world‑tour rollout suggests a strategic move to gauge demand and secure advance revenue before the full tour itinerary is finalized.

The tease arrives on the heels of Evanescence’s most recent Oceania appearances, where they opened for Metallica’s M72 World Tour and headlined three sold‑out shows in Perth, Melbourne and Sydney. Those 2025 dates followed a 2023 tour that celebrated the 20th anniversary of their breakthrough album *Fallen*, reinforcing the band’s enduring appeal in the region. *Sanctuary*, the group’s first studio effort in five years, will be supported by a mammoth world tour that kicks off in the United States next month and features a lineup of female‑fronted acts such as Spiritbox, Poppy, K. Flay and Nova Twins, underscoring a broader industry push toward gender‑diverse billing.

For promoters and venues in Australia and New Zealand, a confirmed Evanescence stop could translate into significant box‑office upside, especially given the band’s track record of selling out arenas and the heightened appetite for legacy rock acts post‑pandemic. The inclusion of rising female artists not only broadens the demographic reach but also aligns with streaming data that shows increased consumption of alternative and hard‑rock playlists featuring women front‑liners. Should the tour materialize, it will likely boost streaming numbers for *Sanctuary*, drive merch sales, and reaffirm the commercial viability of large‑scale rock tours in the Asia‑Pacific market.