Luis Felber - Attawalpa

The interview opens with Robert Diamant praising Luis Felber’s (Attawalpa) ability to make art feel magical. Felber credits Prince as a formative force, noting how the 1980s shift of pop stars declaring themselves ‘artists’ reshaped his own identity. He argues that calling a musician an artist creates a protective distance from a commercialized industry, allowing authentic expression. This perspective frames the broader discussion of artistic autonomy, a theme that resonates with creators navigating today’s algorithm‑driven music market.

Felber’s creative roots run deep in his family. His mother, an accomplished painter, invited him to sit beside her canvas, teaching him that art is a sustained, immersive practice. Early exposure to acoustic guitars and a Korg 8‑track led him to form teenage bands like The Eraser Heads, where he recorded a tribute to Joe Strummer. Dyslexia and a restless energy pushed him toward music rather than formal schooling, and a brief stint at music college gave him technical grounding before he left for London. These formative experiences cemented a multidisciplinary mindset that blends sound, visual art, and performance.

Relocating to London unlocked Felber’s network through underground club nights and the Young Turks collective, which later evolved into a prominent label supporting acts like The XX and FKA Twigs. He emphasizes the importance of cohesive visual language, collaborating with longtime partners such as Emma Chitty for album covers and Greta Ilieva for videos. This integrated approach mirrors contemporary art practices where music, design, and storytelling intersect. Felber’s story illustrates how independent musicians can maintain artistic control while leveraging digital platforms, offering a blueprint for creators seeking sustainable careers without compromising their unique vision.