Behind MAY-A’s Cover of Stevie Nicks' ‘Edge of Seventeen’ for Like A Version (Interview)
Why It Matters
The cover showcases how emerging artists can revitalize iconic songs, deepening audience connection to timeless themes while advancing their own artistic credibility.
Key Takeaways
- •MAY-A chose Stevie Nicks' song for emotional resonance.
- •The original track reflects grief over personal losses and John Lennon.
- •Production involved guitarist Chloe's experimental breakdown before final arrangement.
- •Performing on Like A Version aligns with MAY‑A’s artistic growth.
- •Cover choice contrasts with potential pop selections, showcasing vocal challenge.
Summary
In a candid interview, Australian indie‑pop singer‑songwriter MAY‑A explains why she tackled Stevie Nicks’ “Edge of Seventeen” for Triple J’s “Like A Version” segment.
She notes the original was written after Nicks lost her uncle and John Lennon, describing it as a rare rock ballad that “writes about grief and loss in a powerful, strong way.” MAY‑A also reveals she initially considered more mainstream covers but chose the track to push her vocal range and align with her current life stage.
The arrangement evolved with guitarist Chloe, who added an unexpected breakdown that “you might hate or you might like,” prompting a collaborative production process. MAY‑A references other influences, from “Bittersweet Symphony” to the Nothing But Thieves, illustrating her eclectic musical palate.
By re‑interpreting a classic rock anthem on a high‑profile platform, MAY‑A bridges generations, demonstrates artistic risk‑taking, and reinforces the enduring relevance of Nicks’ songwriting for today’s emerging talent.
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