The Hardy Men

The Hardy Men

The New York Review of Books
The New York Review of BooksApr 16, 2026

Why It Matters

Passage Press illustrates how organized publishing can amplify extremist ideologies, reshaping cultural narratives and potentially influencing political discourse in the United States.

Key Takeaways

  • Passage Press founded 2022 by UC Irvine lecturer Jonathan Keeperman.
  • Publisher aims to create a right‑wing cultural counterweight to the left.
  • Hosted a ‘Coronation Ball’ with Steve Bannon and other reactionaries.
  • Releases works by Yarvin, Sailer, Land, and other far‑right thinkers.
  • Books promote anti‑egalitarian, pro‑hierarchy narratives targeting mainstream culture.

Pulse Analysis

The emergence of boutique presses like Passage Press signals a strategic shift in how the far right disseminates its ideas. Rather than relying solely on social media echo chambers, these publishers produce tangible books that lend an air of intellectual legitimacy. By curating a roster that includes technocratic theorist Curtis Yarvin, accelerationist Nick Land, and race‑realist Steve Sailer, Passage creates a literary ecosystem that mirrors traditional academic publishing while advancing a distinctly anti‑egalitarian agenda. This model allows fringe concepts to infiltrate libraries, university syllabi, and mainstream bookstores, subtly normalizing extremist viewpoints.

Passage’s influence extends beyond its titles; high‑profile events such as the January "Coronation Ball"—which featured Steve Bannon, Jack Posobiec and Dasha Nekrasova—demonstrate its role as a networking hub for the New Right. By blending cultural production with social gatherings, the press cultivates a sense of community among ideologues, reinforcing loyalty and facilitating cross‑promotion of media, podcasts, and online platforms. The publisher’s anthology of speculative fiction, featuring contributors like Bronze Age Pervert, further blurs the line between political doctrine and artistic expression, attracting younger audiences seeking alternative narratives.

The broader implications for the media landscape are significant. As far‑right publishers gain traction, they challenge the traditional gatekeeping role of mainstream outlets, forcing journalists and policymakers to grapple with a more organized propaganda apparatus. This development raises concerns about the spread of extremist content under the guise of literary merit and underscores the need for vigilant editorial standards. Understanding the tactics and reach of entities like Passage Press is essential for anyone monitoring the evolving intersection of culture, politics, and ideology in America.

The Hardy Men

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