Poured Over (Barnes & Noble)
Joe Abercrombie on THE DEVILS
Why It Matters
The discussion underscores why now is a pivotal moment for fantasy readers and writers: the genre is more inclusive, innovative, and culturally prominent than ever, offering fresh perspectives on both past and present. Understanding Abercrombie’s approach to character diversity and historical imagination provides valuable insight for creators seeking to craft resonant, relevant stories in today’s vibrant fantasy market.
Key Takeaways
- •The Devils marks Abercrombie's first major new fantasy series.
- •Fantasy market now diverse, with historical and gender‑balanced stories.
- •Abercrombie emphasizes distinct character voices over strict world accuracy.
- •Modern readers expect relatable themes within medieval‑style settings.
- •Editing process likened to multi‑camera film editing for clarity.
Pulse Analysis
Joe Abercrombie’s latest novel, The Devils, arrives twenty years after his breakthrough Blade Itself, signaling a strategic pivot from his long‑running First Law saga to a fresh fantasy venture. The timing coincides with a transformed publishing landscape where American houses are eager to promote new series that tap into a broader, more eclectic readership. This shift reflects the genre’s evolution from niche epic tropes toward a marketplace hungry for innovative world‑building, diverse voices, and stories that resonate with contemporary cultural currents.
The Devils exemplifies the rise of historical fantasy, blending recognizable medieval settings with imaginative twists. Abercrombie draws heavily from real‑world place names and period details, yet he deliberately relaxes strict accuracy, allowing an alternate‑history canvas where modern attitudes can coexist with ancient trappings. By populating his ensemble with strong female characters—a priestess, a messianic figure, and a resilient smith—he mirrors the demographic reality that over half of fantasy consumers are women. This gender‑balanced approach not only enriches narrative dynamics but also aligns with the industry’s push for inclusive representation across sub‑genres such as urban, cozy, and literary fantasy.
Behind the scenes, Abercrombie treats his characters like camera angles, editing their perspectives to achieve a clear, cinematic flow. He prioritizes distinct voices—vampire, werewolf, necromancer—over exhaustive world research, focusing on dialogue and interpersonal conflict. This method mirrors modern content‑creation strategies where brand voice and audience engagement outweigh exhaustive technical detail. The iterative editing process, likened to multi‑camera film editing, ensures each character’s moment shines, delivering a compelling, market‑ready product. For business leaders, Abercrombie’s blend of strategic diversification, inclusive casting, and agile storytelling offers a blueprint for staying relevant in a rapidly evolving cultural market.
Episode Description
The Devils by Joe Abercrombie follows an invasion of flesh-eating elves threatening Europe and a special force of monsters recruited to save the day. Joe joins us to talk about fantasy subgenres, characterization, voice, action sequences, The Lord of the Rings and more with cohost Jenna Seery.
This episode of Poured Over was hosted by Jenna Seery and mixed by Harry Liang.
New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app.
Featured Books (Episode):
The Devils by Joe Abercrombie
The Red Winter by Cameron Sullivan
The First Law Trilogy by Joe Abercrombie
L.A. Confidential by James Ellroy
A Game of Thrones by George R. R. Martin
A Wizard of Earthsea by Ursula K. Le Guin
Lonesome Dove by Larry McMurtry
The Civil War: A Narrative, Volume 1: Fort Sumter to Perryville by Shelby Foote
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