Oh Great in Paris: Unveiling a New Chapter with New Graphic Novel ‘Smoke’ • FRANCE 24 English
Why It Matters
The exhibitions demonstrate how immersive technology and AI‑themed storytelling are redefining cultural tourism and creative industries, while the motherhood showcase sparks vital conversations about gender norms in contemporary society.
Key Takeaways
- •Titanic immersive exhibit at Paris Villette runs through August.
- •Oh! Great launches first color graphic novel "Smoke" at Paris Book Festival.
- •"Smoke" explores AI‑driven emotion erasure and humanity’s rebirth.
- •Video game music exhibition showcases evolution from Pong to orchestral scores.
- •Marseille’s Mucem exhibition "Bonnes Mères" interrogates motherhood and cultural taboos.
Summary
The segment spotlights a slate of Paris‑area cultural events, from a Titanic immersion at the Cité des Sciences to the launch of Japanese mangaka Oh! Great’s first colour graphic novel, “Smoke,” at the Paris Book Festival. It also previews a video‑game music retrospective at the Musée de la Musique and a motherhood‑focused exhibition, “Bonnes Mères,” at Marseille’s Mucem.
The Titanic exhibit recreates first‑class elegance and the ship’s tragic sinking through 360° projections, AI‑enhanced rooms, and replica artifacts, running at Villette until August. Oh! Great describes “Smoke” as a futuristic story where artificial intelligence erases emotions, marking his transition from black‑and‑white to colour and offering artistic freedom. The video‑game music show traces soundtracks from Pong’s bleeps to full orchestral scores, remaining open until 1 November, while “Bonnes Mères” interrogates historical and contemporary notions of motherhood through sculpture, embroidery, and multimedia.
Director James Cameron’s comment that the Titanic “still captivates us” underscores the enduring allure of historic tragedy, while Oh! Great calls AI “a threat that opens new horizons,” framing his work within broader tech anxieties. Curator remarks at Mucem emphasize confronting taboos around women’s bodies and maternal identity.
Collectively, these programs illustrate France’s push toward immersive, interdisciplinary experiences that blend history, technology, and social critique, attracting tourists, creators, and scholars while signaling how AI and gender discourse are reshaping cultural production.
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