Writing Modern Epic Fantasy — A SanderFAQ
Why It Matters
Sanderson’s shift highlights a broader move in fantasy toward creative freedom, validating both novel world‑building and classic mythic tropes, which influences emerging writers and publishing trends.
Key Takeaways
- •Sanderson rejected Tolkien‑style elves and dwarves early in his career.
- •He aimed to create original, human‑focused fantasy races and magic.
- •Developing unique species proved difficult; dragons remained his safe fantasy staple.
- •Over time he embraced both new creations and classic mythic races.
- •He now advocates writing what you love, regardless of tradition.
Summary
In this SanderFAQ video, Brandon Sanderson explains why his early novels omitted traditional Tolkien‑style elves and dwarves, tracing the decision to his formative years as a writer.
He recounts writing a “Kill the Elves” essay in the late 1990s, his desire to move beyond the “Tolkien shadow,” and his goal to build human‑centric worlds populated by original races such as the Seons and Spren. He admits that inventing truly fresh creatures proved harder than expected, leading him to retain dragons as a familiar fantasy element.
Sanderson cites his own evolution—from a self‑appointed “Grandpa Tolkien” critic who once claimed Tolkien “ruined fantasy,” to a reader who now enjoys Tolkien audiobooks. He also reflects on the backlash against his early stance and how the essay sparked controversy but ultimately clarified his creative priorities.
The takeaway for writers and publishers is clear: fantasy thrives on both innovation and tradition. Sanderson now urges authors to write what they love, whether that means inventing new races or reimagining classic mythic beings, reinforcing a more inclusive and experimental genre landscape.
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