
I've been working on this massive project quietly for almost two years, and I'm SO excited to finally share it. 🎉 I wrote a book with the creator of QueryTracker, the #1 tool writers use to research and track agent submissions. If querying has ever felt confusing, overwhelming, or just completely opaque, we wrote this guide for YOU. We use real industry data (from agent surveys + more than 4 million actual queries) to bring you never-before-seen insights into the querying process.
Every week, someone asks me to promote their “AI for novelists” app. I decline them all, and if the main function is to generate the text/story, I die a little. But I’m genuinely curious: is anyone finding these apps helpful? Not...

If you're experiencing a creative block, I know a guaranteed way to overcome it: Take a break. But not just any kind of break. (No scrolling on your phone for two hours.) Here are 3 tips for taking an intentional, creatively restorative break....
What's behind the blockbuster success of novels like People We Meet on Vacation and The Housemaid? It’s not just the prose, the characters, or the plot. It’s how the authors manipulate time to keep readers hooked. In today's video, I reveal how...

The video stresses that authors must crystallize their story’s core intention before entering the developmental editing phase. Without a firm grasp of the intended message, editors cannot reliably assess whether the narrative delivers the desired impact to readers. Key points include...
I wrote my very first book last year, and now that the release date is approaching, I’m excited for sure, but also…nervous. 😬 Is anyone even going to read it? Will people find it valuable? Or did I just waste a ton...

The video explains that a protagonist’s objective is the engine of story conflict, insisting that writers articulate what the main character wants early in the narrative. It offers a simple fill‑in‑the‑blank exercise—“My protagonist wants X, but Y and Z are getting...