
Why Jo Nesbø Was “Not Impressed” With Detective Hole Lead Actor Initially - The Screen Podcast
The Screen Podcast episode features Jo Nesbø, the bestselling Norwegian novelist‑turned‑showrunner, discussing the launch of the Netflix crime drama Detective Hole. He explains why the series had to be filmed in Oslo with an all‑Norwegian cast, a condition he secured from Universal and Netflix before green‑lighting the project. Nesbø chose the fifth novel, Devil Star, as the series’ entry point because it fully defines Harry Hole and makes Oslo itself a character. He wrote the nine‑episode arc alone, rejecting the traditional writer’s‑room model, and relied on gut instinct rather than detailed outlines. The decision to keep the production Norwegian and to adapt a later book reflects both practical rights considerations and creative timing. A memorable moment comes when Nesbø admits the initial screen test with lead actor Tobias Santelmann was disappointing; the actor was “too nice, too sympathetic, too good‑looking.” After a second test, Santelmann delivered a performance that “blew everybody away,” securing the role. Nesbø also notes his willingness to let directors and actors shape the material, saying he respects their vision and prefers to stay hands‑off. The series demonstrates how an author can successfully helm a television adaptation, preserving cultural authenticity while leveraging Netflix’s global platform. Nesbø’s hands‑on yet flexible approach may encourage other creators to retain creative control, potentially expanding the market for localized, high‑budget streaming content.

Why European TV Dramas Are Getting Harder to Make - The Screen Podcast
The Screen Podcast episode focuses on Series Mania in Lille, France, examining why European TV dramas are becoming harder to produce. The festival, now drawing roughly 5,000 participants—a 20% increase year‑over‑year—has evolved from a modest showcase into a hybrid market...

'A Fire There': Exclusive First Trailer for Visions Du Réel, Hot Docs Documentary Set in Georgia
Marlene Edoyan’s documentary "A Fire There" debuted its first trailer ahead of its world premiere at Switzerland’s Visions du Réel. The film is set in the remote Georgian village of Gandzani, near the Armenian border, and follows three young men...

What Were the Hidden Gems From Sundance and Berlin Film Festivals? - The Screen Podcast
The Screen Podcast’s latest episode spotlights overlooked titles from Sundance and the Berlin Film Festival, with critics Nikki Baughan, Wendy Ide and Tim Grierson naming their picks. Highlights include the Sundance documentary "Seized," Chilean debut "The Red Hangar" at Berlinale...

"Barry Keoghan Felt Peaky": Cillian Murphy, Steven Knight on Peaky Blinders: The Immortal Man
Cillian Murphy and creator Steven Knight sat down with Screen Daily’s Ellie Calnan to promote the new Peaky Blinders film, The Immortal Man. The interview touches on the movie’s original soundtrack, the addition of Barry Keoghan to the ensemble, and the...

Buzzy Titles, the Politics Row: Unpicking the 2026 Berlin Film Festival - The Screen Podcast
Berlin Film Festival 2026 under new director Trisha Tuttle showed signs of programming renewal but still lacks the consistent, high-profile titles that attract buyers and awards-season momentum. Standouts included Sandra Hüller’s German drama Rose, which earned strong critical praise, while...

Leading European Film Funders Reveal Their Investment Priorities – The Screen Podcast
The Screen Podcast episode spotlights a new wave of private‑equity financing for Europe’s independent film and television sector, focusing on the launch of the Together Fund and the seasoned IPR VC. Hosted by Wendy Mitchell and Tim Dams, the conversation...