
Máret Ánne Sara on the Contract Between Humans and Reindeer | Tate
Máret Ánne Sara explains that the reindeer is not merely livestock for the Sámi people but a cornerstone of their philosophy, daily life, and survival. She frames the relationship as a sacred contract rooted in ancient tales, where the animal offers its meat and resources while demanding protection, a dignified death, and total utilization by humans. The interview highlights three core promises of this contract: the reindeer supplies abundant meat, the human must safeguard the herd and ensure a clean death, and every part of the animal must be used, a practice embodied in the traditional craft of Duodji. Sara emphasizes that reindeer herding, even as it modernizes, remains intertwined with spiritual and physical needs, especially in the harsh Arctic environment where alternative food and material sources are scarce. She cites vivid imagery, noting, “as long as you can still hear the heart of the young doe beating in the ground then we have a future still,” and stresses that “the reindeer promises the human all the meat… in exchange it requires the human being to protect it and to give it a clean death.” These quotes illustrate the deep reciprocity and reverence that guide Sámi stewardship. The discussion underscores the tension between indigenous practices and contemporary Western legislation, which Sara argues threatens the logical and ecological balance of the contract. Recognizing this relationship has implications for policy makers, investors, and NGOs aiming to support sustainable Arctic economies while respecting indigenous rights and cultural heritage.

John Stezaker – “I'm a Collector of Shadows” | Studio Visit
John Stezaker’s studio visit reveals an artist obsessed with the violence and redemption inherent in image making. He describes his practice as cutting, destroying, and re‑stitching photographs—an act he calls sacrificial—so that the spectator must forge a new connection between...

Jessie Ware Visits Tate Modern 👀
Jessie Ware’s visit to London’s Tate Modern becomes a platform for her to discuss how visual art informs her music. The singer reflects on a high‑school pop‑art phase, her attraction to figurative paintings, and a particular fascination with the female...

Hurvin Anderson's 'Love-Hate' Relationship with Photography | Tate
The Tate video centers on British painter Hurvin Anderson’s ambivalent relationship with photography, a medium he both relies on and resists. He describes the camera as a "cheat"—a shortcut that can bypass the immersive experience of being in the landscape,...

Marina Abramović on Her Legendary Rhythm Series – 'I Was Ready to Go to the End' | Tate
The interview with Marina Abramović delves into her seminal Rhythm series, a body‑centric body of work from the mid‑1970s that pushed the limits of endurance, danger, and ritual. Abramović recounts how the performances were scarcely recorded at the time, and...

A Videocall with Tracey Emin | Tate
The Tate video call brings Tracey Emin back to her seminal 1998 installation, “My Bed,” allowing the artist to narrate the work’s origins and its continued relevance. In a candid conversation, Emin describes the disheveled bed as a literal vessel that...

'Indigo Is the Colour of Love' 💙 Nike Davies-Okundaye | Tate
Nike Davies‑Okundaye, a celebrated Nigerian textile artist, explains how indigo dye and the adire alabela technique embody the cultural heartbeat of Osogbo, a town she calls “Ilu Aro.” She frames fabric as an extension of skin, arguing that the cloth...