
Mitski uses her platform to champion Mariah Carey, declaring the pop icon an overlooked genius whose songwriting and vocal prowess deserve greater recognition. In a brief video, she recommends Carey’s 1995 album Daydream, noting it as the first record she ever bought and the moment she realized music’s transformative potential. She emphasizes Carey’s consistent innovation, from early R&B roots to sophisticated pop arrangements, arguing that the artist’s contributions extend far beyond chart success. Mitski points to Carey's ability to craft timeless melodies and emotionally resonant lyrics, calling her “the greatest singer in the world” while lamenting the industry’s failure to credit her as a songwriter. Key quotes include, “people don’t realize that she is a genius,” and “this is what music could be,” underscoring the personal impact Daydream had on Mitski’s artistic development. The video also references Carey’s multifaceted talent—vocal, lyrical, and production—highlighting her influence on subsequent generations of musicians. Mitski’s endorsement invites a reassessment of Carey’s legacy, urging fans and critics alike to acknowledge her artistic depth. By framing Carey as an underrated innovator, the commentary may inspire renewed critical discourse and potentially affect streaming, catalog sales, and future collaborations within the music industry.

Emerald Fennell’s latest film attempts a bold re‑imagining of Emily Brontë’s “Wuthering Heights,” but critics argue it collapses into a surprisingly bland romance. The director injects contemporary, “kinky” motifs—such as implied moorland sexual play—only to retreat into a conventional 19th‑century adultery...

Charli XCX, the British pop star, announced she is a fan of the Oscar‑nominated film, sparking immediate media attention. The endorsement came during a live‑stream interview where she praised the movie’s storytelling and visual style. Analysts note that her praise could...

In a recent segment, New Yorker critic Richard Brody laments the Academy’s failure to recognize several standout films, ranging from drama to documentary and international entries. He highlights Nia DaCosta’s “Hedda,” a lush adaptation of Ibsen that centers on a concealed...