
The video offers an intimate look at French electronic producer Oklou’s creative process, revealing how she balances nostalgic teenage influences with modern production techniques. She recounts growing up blasting harmonies with friends, a habit that still informs her desire for rich vocal layers in today’s tracks. Oklou explains that while she loves singing and playing instruments simultaneously, re‑introducing the cello after a four‑year break proved challenging. She laments that many of her current shows rely heavily on computer‑based arrangements, prompting her to seize any opportunity to perform live instrumentation. Rehearsals often occur on the fly—in hotel rooms, on planes, and even narrow laneways—underscoring the improvisational nature of touring. A memorable quote captures her sentiment: “I miss it in my practice also in my shows because the productions are very computer based.” She also notes that covering a song should be quick and instinctive, allowing musicians to capture its essence without over‑preparation. These anecdotes illustrate her commitment to authenticity amid a digital workflow. The broader implication is a growing tension in electronic music between polished, programmed sounds and the raw energy of live performance. Oklou’s approach signals to peers and audiences that integrating live elements can enrich the listening experience, potentially reshaping how electronic acts design tours and studio sessions.

The video captures French producer‑singer Oklou’s live rendition of “viscus” on NPR’s “Like A Version” series, a platform known for artists reinterpreting songs in intimate settings. Filmed in a modest studio with dim lighting, the performance strips away studio polish,...

French electronic artist Oklou explains why she chose to reinterpret Plain White T’s 2006 hit “Hey There Delilah” for Triple J’s iconic “Like A Version” segment. The cover marks her first appearance on the Australian program and reflects a personal connection to the...

French electronic producer Oklou delivered a fresh take on the 2006 Plain White T’s ballad “Hey There Delilah” during Triple J’s “Like a Version” segment, a weekly series where artists perform live covers for a global audience. The rendition swaps the...

Wolf Alice took the stage at Sydney’s Laneway Festival 2026 for a full‑length set that mixed their best‑known singles with several unreleased tracks, delivering a high‑energy performance that kept the crowd moving from start to finish. Throughout the show the...

Wolf Alice took the Laneway Festival stage in 2026 to perform an intimate version of “The Sofa,” a track from their 2021 album “Blue Weekend.” The set, stripped down to acoustic guitar and subtle percussion, highlighted the band’s willingness to...

Wolf Alice took the stage at Laneway 2026 to deliver a rousing live rendition of “How Can I Make It OK?” The band opened with palpable excitement, greeting the audience and urging fans to join in the chorus, instantly turning...

The video captures Australian pop duo The Veronicas delivering a fresh take on the song “12 to 12” during Triple J’s iconic “Like a Version” segment. Stripped of the original’s acoustic vibe, the sisters infused the track with synth‑driven arrangements and...

The Veronicas delivered a live rendition of their 2007 hit “Untouched” on Triple J’s iconic “Like a Version” segment, swapping the studio‑produced pop‑electro backdrop for a raw, band‑driven arrangement. The performance highlighted the duo’s tight vocal chemistry, with Jessica and Lisa...

The Veronicas sat down to discuss two pivotal moments in their career: covering Sombar’s “12 to 12” for Triple J’s “Like a Version” and the creation of their breakout hit “Untouched.” The conversation blends nostalgia with insight, revealing how a collaborative...

Turnstile’s latest interview reveals the band’s decision to record a studio version of The Stone Roses’ “I Wanna Be Adored” for Triple J’s Like A Version segment. The punk‑hardcore outfit explains that the song’s iconic bass line and simple yet...

The video centers on a heartfelt cover of a classic track, selected as a tribute following the passing of a figure named Manny. The presenter, a self‑identified Brit and longtime fan, explains that the song’s uncomplicated yet powerful bass line...

Turnstile, a Philadelphia‑based hardcore punk outfit, recorded a cover of The Stone Roses’ 1989 anthem “I Wanna Be Adored” for Triple J’s iconic “Like a Version” segment, marking a rare foray into Brit‑rock territory for the band. The rendition strips the original’s...