
Shamel Pitts Curatorial Interview
The interview centers on choreographer Shamel Pitts and the world premiere of his new piece, Marks of Red, marking the culmination of a three‑year partnership between his collective Tribe, the Walker Art Center, and the University of Minnesota’s Northrop. Pitts describes the work as a birthing process, emphasizing surprise, gratitude, and the responsibility of nurturing a piece that explores womb space, motherhood, and collective care. Key insights include Pitts’s decision to step out of the dancer’s role, allowing six Black femme artists to carry the choreography, and his intentional use of diverse recruitment—dance classes, nightclubs, and community networks—to assemble the cast. The piece’s thematic core revolves around primal creation, honoring the women who have nurtured Pitts’s own development. Pitts cites a Rumi quote—“what you are seeking is seeking you”—and shares how the “Ladies in Red” audience participants blur the line between spectator and performer, creating a two‑way energy exchange. He stresses a non‑hierarchical, horizontal leadership model, letting the work’s center shift from himself to the dancers and audience alike. The project illustrates how sustained institutional support can generate deep community ties, expand representation of Black femme bodies in contemporary dance, and experiment with participatory performance. Its success may inspire other arts organizations to adopt long‑term, collaborative frameworks that prioritize inclusivity and audience co‑creation.

Opening-Day Talk: Christine Sun Kim in Conversation with Christine Y. Kim
The Walker Art Center and the Whitney Museum opened "Christine Sun Kim All Day, All Night," a retrospective covering the artist’s output from 2011 to 2026. Curators and supporters introduced the show, acknowledging Indigenous lands and the network of foundations...

Love Language: Collaboration as Practice
The Walker Art Center hosted a Thursday night event titled “Love Language: Collaboration as Practice,” featuring artist Dyani White Hawk and a panel of Indigenous creators. The gathering highlighted how collaborative relationships shape the exhibition’s core works, from video...

Kevin Jerome Everson in Conversation with Leila Weefur
The Walker Art Center’s "Landscapes of Myth" series hosted a conversation between artist‑filmmaker Kevin Jerome Everson and curator Leila Weefur, framing two short works—Everson’s Ten Five in the Grass (2011) and Charles Burnett’s The Horse (1973)—as counter‑narratives to the classic Western canon introduced the night before with John Ford’s...