"Doing and Making Are Acts of Hope... They Stop Us Feeling Overwhelmed by the Troubles of the World"
Anna Wharton’s White Ink hosted a slow‑writing meetup that previewed her upcoming 30‑day “Detox with Delight” program in June. The session emphasized non‑woo‑woo creative practices inspired by Sister Corina Kent’s belief that making is an act of hope. Wharton also promoted related Substack live talks, a weekly film club, and a paid‑subscriber community. The initiative aims to help participants manage overwhelm by dedicating brief daily writing rituals.
The Imposter – Chapter Thirty-Seven
Anna Wharton’s debut novel *The Imposter* was first released in 2021 by Pan Macmillan in the UK. She has refreshed the book’s look with a new cover featuring Edward Hopper’s 1909 painting *Summer Interior*, which she saw at the Whitney Museum....
On Beauty, Slow Writing, and Our Next Meet Up To Practise Both
The author is launching a 30‑day attention‑detox that blends slow‑writing exercises with a broader digital‑wellness challenge. The initiative invites participants to step away from relentless advertising, news feeds, and online shopping to reclaim focus. A Zoom meet‑up is scheduled for...
The Imposter – Chapter Thirty-Five
The author of the novel *The Imposter* has refreshed the book’s visual identity by pairing it with Edward Hopper’s 1909 painting “Summer Interior,” now displayed on Substack. The novel, originally published by Pan Macmillan in the UK in 2021, is being...
The Imposter – Chapter Thirty-Four
Anna Harton’s novel *The Imposter* was first published by Pan Macmillan in the UK in 2021. She has refreshed the book’s visual identity with a Substack‑exclusive cover that repurposes Edward Hopper’s 1909 painting *Summer Interior*, now on view at the Whitney...
It's Not Andrew Tate Substack Wants Here, But His Subscriber List. And That Should Worry Us Even More.
Substack recently added controversial influencer Andrew Tate, whose account boasts over 1.1 million subscribers. The author questions whether Substack actively courted Tate to tap his massive follower base, rather than focusing on platform safety. This move highlights tensions between revenue growth...
The Imposter – Chapter Thirty-Two
Anna Wharton’s novel The Imposter, originally published by Pan Macmillan in the UK in 2021, has received a fresh cover featuring Edward Hopper’s 1909 painting Summer Interior, which she viewed at the Whitney Museum. She now serializes the book on Substack,...
The Price We Pay For Meeting A Man Who Has Children Is Not Taking His Kids On, But What We...
The essay recounts a stepmother’s heartfelt experience of bonding with her partner’s children, only to lose that connection when the relationship ends. She describes daily rituals, shared moments, and the deep emotional investment she made despite having no formal parental...
The Imposter – Chapter Twenty-Eight
Anna Harton’s novel *The Imposter*, originally published by Pan Macmillan in 2021, has been given a fresh Substack cover featuring Edward Hopper’s 1909 painting “Summer Interior.” The author serially reads each chapter for paid subscribers and now offers chapter twenty‑eight for...
Feminist Essay Club #5
On International Women’s Day, White Ink’s Feminist Essay Club released a recording discussing Virginia Woolf’s “Shakespeare’s Sister” excerpt from *A Room of One’s Own*. The conversation, prompted by subscriber Joanna Milne, examined historical publishing gaps—women authored only 25% of books...