
The album’s high‑profile collaborations and Dessner’s production elevate Morby’s profile within indie rock, while the tour capitalizes on the post‑pandemic live‑music resurgence.
Kevin Morby’s Little Wide Open arrives at a moment when indie artists are leveraging marquee collaborations to broaden their reach. Aaron Dessner’s involvement signals a polished, expansive sound that aligns with the recent success of genre‑blending projects from The National’s side. Featuring vocalists such as Justin Vernon and Lucinda Williams, the album taps into multiple fan bases, positioning Morby for higher streaming numbers and stronger placement on alternative charts. The strategic release date in mid‑May also ensures visibility ahead of the summer festival circuit.
The accompanying tour underscores the renewed appetite for live performances after years of restrictions. Spanning major venues across the United States, Canada, and a packed European leg, the itinerary targets both core indie audiences and larger festival crowds. By scheduling shows in culturally significant locations like The Fillmore and Paradiso, Morby reinforces his reputation as a compelling live act, which can translate into increased merchandise sales and heightened media coverage. The tour’s timing, coinciding with the album launch, maximizes promotional momentum and offers multiple touchpoints for fan engagement.
Physical formats remain a vital revenue stream for niche artists, and the decision to press a $35 vinyl through Rough Trade reflects a savvy market move. Vinyl collectors value limited‑run, high‑quality pressings, and the partnership with a respected retailer enhances credibility. In an era where streaming dominates, offering a tangible product caters to dedicated fans and supports indie label economics. Combined with the high‑profile guest roster and Dessner’s production pedigree, Little Wide Open is poised to solidify Morby’s standing in the contemporary indie landscape.
By Walden Green · February 11, 2026

Photo by Chantal Anderson
Kevin Morby has announced a new album. Little Wide Open is produced by the National’s Aaron Dessner and features contributions from—among others—Justin Vernon, Muna’s Katie Gavin, Sylvan Esso’s Amelia Meath, and Lucinda Williams. It’s out May 15 on Dead Oceans. The music video for lead single “Javelin” stars Morby and comedian Caleb Hearon, with a cameo from Waxahatchee’s Katie Crutchfield.
“This is a song I wrote about being in love with someone you keep circling around the globe, relentlessly traveling through the air and down highways, and then returning home alone to middle America,” Morby said of “Javelin” in a press statement. “[Amelia] shines here, with her incredible vocals. I had invited her into the studio and asked that she create a backing choir out of just her voice—but her presence is so special that her ‘backing vocals’ can’t help but take the lead.”
Rachel Kushner wrote an essay, titled Field Guide to the North American Troubadour, to accompany Little Wide Open. In May, Morby will kick off an extensive tour behind the record, which will take him across Europe and North America through mid‑July.

North America
03‑14 Austin, TX – The Long Time
05‑08 Woodstock, NY – Levon Helm Studios
05‑13 Aspen, CO – Belly Up Aspen
05‑14 Denver, CO – Ogden Theatre
05‑15 Salt Lake City, UT – Kilby Block Party
05‑17 Vancouver, BC – Commodore Ballroom
05‑18 Seattle, WA – Neptune Theatre
05‑19 Portland, OR – Revolution Hall
05‑21 San Francisco, CA – The Fillmore
05‑22 Los Angeles, CA – The Wiltern
05‑23 Pioneertown, CA – Pappy & Harriet’s
05‑24 San Diego, CA – Music Box
05‑26 Phoenix, AZ – Crescent Ballroom
05‑27 Santa Fe, NM – The Bridge at Santa Fe Brewing
05‑29 Kansas City, MO – Uptown Theater
05‑30 St. Louis, MO – Delmar Hall
06‑02 Chicago, IL – Metro
06‑04 Detroit, MI – Saint Andrew’s Hall
06‑05 Toronto, ON – History
06‑06 Montreal, QC – Théâtre Beanfield
06‑07 Boston, MA – Royale
06‑09 Philadelphia, PA – Union Transfer
06‑10 Brooklyn, NY – Brooklyn Steel
06‑12 Washington, DC – Lincoln Theatre
06‑13 Charlotte, NC – The Underground
06‑14 Atlanta, GA – Variety Playhouse
06‑16 New Orleans, LA – Tipitina’s
06‑18 Houston, TX – The Heights Theater
06‑19 Fort Worth, TX – Tannahill’s Tavern and Music Hall
06‑20 Austin, TX – Stubb’s Waller Creek Amphitheater
Europe
07‑02 Amsterdam, Netherlands – Paradiso
07‑03 Beuningen, Netherlands – Down the Rabbit Hole
07‑04 Lille, France – L’Aéronef
07‑05 Hérouville‑Saint‑Clair, France – Festival Beauregard
07‑06 Paris, France – Salle Pleyel
07‑08 London, England – Troxy
07‑09 Manchester, England – The Ritz
07‑10 Brighton, England – Chalk
07‑11 Bruges, Belgium – Cactusfestival
07‑12 Cologne, Germany – Even Flow Festival
07‑14 Zurich, Switzerland – Rote Fabrik
07‑15 Galzignano Terme, Italy – Anfiteatro del Venda
07‑16 Feldkirch, Austria – Poolbar Festival
07‑17 Vienna, Austria – Simm City
07‑18 Munich, Germany – Technikum
Little Wide Open is available on vinyl for $35 at Rough Trade.
Walden Green is a music writer and cultural critic who joined Pitchfork in 2024. A graduate of the University of Pennsylvania, his work has appeared in Dirt, The Fader, and Philadelphia. He lives in New York.
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