
Tilaye Gebre’s saxophone performance with the Dahlak Band, recorded in the late 1970s, was captured in a single‑take, single‑mic live session at Addis Ababa’s Ghion Hotel. The nine‑track album delivers a slow‑burning, groove‑centric sound that feels both nocturnal and bright, despite its lo‑fi, stripped‑down texture. Critics note a telepathic cohesion among the musicians, creating a grizzled yet immersive listening experience. The release, highlighted by Aquarium Drunkard, brings this obscure Ethiopian jazz gem back into contemporary awareness.

Stereolab’s 1996 breakthrough album *Emperor Tomato Ketchup* turns 30 this month, marking a milestone for a record that blended pop sensibility with avant‑experimental textures. The album’s retro‑futurist approach, borrowing from Gil Scott‑Heron basslines to minimalist three‑word mantras, set a template...

Matt Valentine’s Wet Tuna project releases its fourth full‑length album, Vast, on Captured Tracks. The record blends psychedelic, funk, and experimental pop elements, delivering richly textured yet spacious soundscapes. Coming a decade after the debut, Vast underscores Valentine’s evolving solo...

Topology unearths a long‑hidden 1984 recording that pairs Japanese pianist Makoto Terashita with veteran American saxophonist Harold Land. The full session, previously only glimpsed on BBE’s ‘J Jazz: Deep Modern Jazz from Japan’ compilation, showcases Terashita’s original compositions elevated by...