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ArtReview

ArtReview

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Global contemporary art criticism.

Lubaina Himid on Representing Great Britain at the 61st Venice Biennale
News•Mar 10, 2026

Lubaina Himid on Representing Great Britain at the 61st Venice Biennale

Lubaina Himid will represent Great Britain at the 61st Venice Biennale with an installation of large multi‑panel paintings, found‑object works, and a bespoke sound piece by Magda Stawarska. The project, inspired by her lifelong quest to understand belonging, navigates melancholy toward a space of deep remembering. Himid emphasizes the Biennale’s role as a venue for open questioning and sees the national pavilion as a site for artistic freedom amid rising nationalism. She also reflects on British art’s serious yet playful tradition, naming Hogarth as a historic exemplar.

By ArtReview
A First Look at Su Yu-Xin’s ‘Afterstone’
News•Mar 6, 2026

A First Look at Su Yu-Xin’s ‘Afterstone’

Taiwanese artist Su Yu‑Xin presents “Afterstone” at Lo Studio in Venice. The show features about fifteen paintings and more than a dozen wax‑based sculptures that use hand‑ground pigments sourced from Pacific coastal soils, minerals and shells. By treating colour as...

By ArtReview
Art Basel Hong Kong Screening and Talk: Ayoung Kim and ikkibawiKrrr
News•Mar 6, 2026

Art Basel Hong Kong Screening and Talk: Ayoung Kim and ikkibawiKrrr

The Korea Arts Management Service and ArtReview hosted a special screening at Art Basel Hong Kong titled “Life as a System: Time, Labor, and Storytelling in Contemporary Moving Image.” The program featured Ayoung Kim’s AI‑enhanced film Al‑Mather Plot 1991 and ikkibawiKrrr’s...

By ArtReview
Notes From New York: Independent Study
News•Mar 6, 2026

Notes From New York: Independent Study

The "Future Schools" exhibition at the National Academy of Design spotlights a growing crisis in U.S. art education, where faculty departures, funding cuts, and a shift toward contingent staffing threaten departmental stability. Artists like Chloë Bass draw on Joseph Beuys’s...

By ArtReview
How to Take R. Crumb at Face Value
News•Mar 5, 2026

How to Take R. Crumb at Face Value

R. Crumb’s solo show "There’s No End to the Nonsense" opened at David Zwirner in London, spanning two floors and works from the 1960s to 2025. The exhibition places his notorious crude, sexual imagery beside more tender, humanistic pieces, presenting the...

By ArtReview
Clémence De La Tour Du Pin’s Atmospheric Meditations
News•Mar 3, 2026

Clémence De La Tour Du Pin’s Atmospheric Meditations

French artist Clémence de La Tour du Pin presents a new show at Derosia, New York, featuring four untitled, six‑centimetre‑high assemblages that span six metres each. The works combine discarded urban objects—umbrella spokes, tangled silk—with wax, oil paint and linen,...

By ArtReview