Katherine G. Charles’s new Cambridge University Press volume *Lost Plots* examines the pervasive use of interpolated, or “tales‑within‑a‑tale,” in eighteenth‑century novels. The book defines this narrative form, compiles a wide range of examples—from Fielding’s *Joseph Andrews* to Smollek’s *Peregrine Pickle* and Earle’s *Obi*—and proposes a systematic reading methodology. By treating these interruptions as intentional literary devices, Charles argues they reveal hidden power structures, especially around gendered speech. The study positions these forgotten sub‑stories as a crucial lens for reassessing narrative authority in the early novel.
The Cambridge University Press has released "The Cambridge Companion to Electronic Dance Music," edited by Hillegonda C. Rietveld and Toby Young. The volume assembles interdisciplinary essays that map EDM’s history, production, club design, and cultural politics across continents. It highlights...
Robert MacSwain’s new volume, *Saints as Divine Evidence*, bridges religious epistemology and comparative hagiography to argue that holy lives function as evidence for God. The first part surveys analytic and pragmatist debates, highlighting Austin Farrer's claim that saints serve as...
The new edited volume *Traces of the Distant Human Past* argues that archaeology’s rapid technological gains have outstripped its ability to interpret early human behavior. While LiDAR, radiocarbon dating, and ancient DNA provide unprecedented data, the authors contend that theoretical...
Alice Wickenden’s essay examines Thomas Johnson’s 1636 ginger woodcuts—one true, one feigned—to illustrate how seventeenth‑century knowledge was deliberately produced through contradiction. She links this paradox to Hans Sloane’s massive library‑museum collection, showing that the fluid mixing of books, specimens, and...