
The essay contrasts Virginia Woolf’s individual‑centric narrative model with a distinctly African approach that treats the novel as a thinking world. It argues that African fiction distributes agency across ecosystems, ancestors, and material forces rather than anchoring meaning in a single character. Drawing on Ache Achebe, Nancy Armstrong, and recent scholarship, the piece shows how spatial and cosmological logics shape African storytelling. The forest emerges as a recurring laboratory where power, history, and imagination intersect, illustrating this world‑thinking in practice.

Diana Martha Louis’s new book *Colored Insane* uncovers how nineteenth‑century American asylums labeled Black patients as the “colored insane” and used psychiatric theory to reinforce racial and gender hierarchies. Drawing on scarce archival records from the Georgia Lunatic Asylum, she foregrounds the...