
Lowertown’s new single “Big Thumb” serves as the first taste of their upcoming album Ugly Duckling Union, slated for May 22 via Summer Shade. The track returns to the duo’s DIY folk‑jazz roots, featuring Avsha Weinberg’s 12‑string guitar and Olivia Osby’s haunting harmonica, while lyrics emerged from a collage of newspaper clippings. A surreal video directed by Jack Haven visualizes the song’s meditation on generational directionlessness. The release is paired with a North American tour kicking off April 28 and concluding June 27 in New York.

Belfast duo CHALK released their debut album Crystalpunk, a nine‑track record that fuses electronic, punk, and rave elements into a self‑coined genre. The album opens with the abrasive ‘Tongue’ and includes standout singles like ‘Pain’ and ‘Can’t Feel It’, which...
Irish indie trio Really Good Time broke a year‑long silence with their new single “Bob Dylan Was On Pawn Stars in 2010.” The track turns a quirky reality‑TV fact into a hook‑laden meditation on online humiliation, teenage nostalgia, and ego...

Brighton duo CQ Wrestling announced their second album, Resistance, slated for release on May 22, 2024, alongside the lead single “Pacifico.” The pair, formerly known as Chappaqua Wrestling, left their major‑label deal after a year marked by personal loss and...

Indie‑rock outfit Teen Suicide has dropped “Spiders,” the second single from their forthcoming debut studio album Nude Descending Staircase Headless, arriving April 17 via Run For Cover Records. The track marks the band’s first full‑band recording with a human drummer and is produced by...

Felix Mackenzie-Barrow’s debut solo album Book of Churches was recorded in a frantic 48‑hour session using only a couple of microphones and a cell phone. The resulting collection feels like a raw demo, emphasizing first‑thought urgency and stripped‑back arrangements. Critics...

Snake Eyes have finally released their long‑awaited album Cash Rich on Alcopop! Records after five years of careful curation. The 12‑track record showcases a lo‑fi fuzz‑driven sound mixed with heavy distortion and occasional acoustic moments, reflecting the band’s gear‑obsessed production...