
Philosopher Kathleen Stock’s new book, Do Not Go Gentle, argues against state‑sanctioned assisted dying, targeting the UK’s pending end‑of‑life bill. She warns that legalising euthanasia creates a slippery‑slope, citing expansions in Canada and the Benelux that now cover non‑terminal and mental‑illness cases. Stock contends that inadequate palliative care and hidden financial motives could push vulnerable patients toward death. The work blends personal narrative with policy analysis, urging lawmakers to reconsider the ethical and societal costs of institutionalising death.

Alex Kadis’s debut novel *Big Nobody* follows Connie Costa, a Greek‑Cypriot teen navigating 1970s London’s music‑obsessed culture while fleeing an abusive patriarchal family. The narrative blends vivid period details—Marc Bolan, David Bowie, platform shoes—with a darker exploration of PTSD stemming from familial...

Paul Morley’s new biography, *Love Magic Power Danger Bliss*, re‑examines Yoko Ono’s artistic development before meeting John Lennon, charting her wartime childhood, elite education, and immersion in New York’s 1960s Fluxus scene. The book highlights Ono’s radical performance pieces such...

António Lobo Antunes, the celebrated Portuguese novelist, died at 83, ending a career that produced over thirty novels and reshaped modern Portuguese literature. A former psychiatrist and army doctor, his wartime experiences in Angola informed his psychologically intense, polyphonic narratives....

Recent poetry releases reviewed include Andrew Motion’s *Gravity Archives* and Wayne Holloway‑Smith’s *Rabbitbox*, alongside mentions of JL Williams and Richard Siken. Motion’s collection revisits death and personal loss with a more resolute voice, mixing elegy, humor, and literary allusion. Holloway‑Smith’s *Rabbitbox*...

Angela Tomaski’s debut, *The Infamous Gilberts*, is a meticulously crafted comfort read set in the crumbling Thornwalk estate, echoing the real‑life National Trust purchase of Tyntesfield. The story is narrated by Maximus, the loyal valet, who guides readers through 70...

Lucy Apps’s debut novel *Gloria Don’t Speak* follows 19‑year‑old Gloria, a woman with a learning disability living in east London in the summer of 1999. The narrative captures her sensory‑rich perception, a fraught friendship with a controlling young man named...

John Grindrod’s *Tales of the Suburbs* offers a tragicomic social history of LGBTQ life across Britain’s suburbs, from commuter belts to rural villages. Drawing on archives, newsletters, and original interviews, the book intertwines political, architectural, and cultural analysis with witty...

Simukai Chigudu’s memoir *Chasing Freedom* intertwines Zimbabwe’s war of independence with his own quest for belonging across continents. He shows how political liberation after 1980 did not guarantee personal freedom, exposing lingering colonial mentalities in elite schools and diaspora life....

Will Self’s latest novel, The Quantity Theory of Morality, revisits his 1991 debut’s Busner character to argue that societies possess a finite “morality quotient” that can be exhausted, leading to collective decay. The book unfolds through five near‑identical set‑pieces—a dinner...

Paul Fischer’s "The Last Kings of Hollywood" centers on a 1977 White House dinner that brought together Steven Spielberg, George Lucas and Francis Ford Coppola, three directors at the apex of New Hollywood. Using Eleanor Coppola’s diary and extensive research, the book chronicles...

Luke Barley’s new book *Ancient* chronicles the intertwined history of Britain’s woodlands and its people, tracing forest development from post‑glacial birch to the oak‑dominated landscapes that powered medieval society. He explains the legal definition of ancient semi‑natural woodland—trees existing before...