
"Hush Lobby" is a site‑specific installation by artists Meinner and Victoria Reshetnikov presented at theNextWave Gallery in early 2026. The work was built from reclaimed New York wood, pallets, 3D‑printed parts and other street‑found materials, and its title emerged from a collaborative word‑play exercise. Designed as a solitary lobby, the piece invited visitors to experience privacy while subtly exposing them to surveillance through the artists’ presence. After deinstallation, the material was largely discarded, highlighting the artwork’s full lifecycle from waste to art and back to waste.

Spencer Lewis, a RISD and UCLA graduate, presents his solo show “Afterpiece” at Thomas Erben Gallery in New York, running February 20–March 28, 2026. The exhibition blends his East‑Coast origins with Los Angeles‑derived vigor, showcasing thick oil on jute works that echo Twombly, Rauschenberg, and...
The Brant Foundation opens a Keith Haring exhibition in its East Village gallery from March 11 to May 31, 2026, spotlighting the artist’s breakthrough period between 1980 and 1983. Nine monumental works and eight surviving subway chalk drawings illustrate Haring’s transition from...
Cooper Cox describes his paintings as containers for uncertainty, where a structural framework invites controlled chaos. He emphasizes texture as the core of his process, allowing instability to shape the final image. Cox says risk has become more precise, targeting...

The Frisson Gallery’s new exhibition "Feeding the Load, Regulated Dosage" showcases the work of Echo Yan and Cass Yao, curated by Rui Jiang. The show blends biomorphic sculptures, repurposed household objects, and AI‑generated video to create a visceral posthuman environment....

PAGING DR. FEELGOOD, a pop‑up group show presented by Perrotin, opened in Los Angeles during LA Art Week, occupying the former Spago venue. The exhibition stages four thematic sections that blend bar culture, hyperreal landscapes, gender‑bending portraits, and a shrine‑like finale...