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Whitehot Magazine of Contemporary Art

Whitehot Magazine of Contemporary Art

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Contemporary art criticism.

New York City Autopsy of an Exquisite Corpse: An Interview with Meinzer and Victoria Reshetnikov - New York City by...
News•Mar 10, 2026

New York City Autopsy of an Exquisite Corpse: An Interview with Meinzer and Victoria Reshetnikov - New York City by...

"Hush Lobby" is a site‑specific installation by artists Meinner and Victoria Reshetnikov presented at theNextWave Gallery in early 2026. The work was built from reclaimed New York wood, pallets, 3D‑printed parts and other street‑found materials, and its title emerged from a collaborative word‑play exercise. Designed as a solitary lobby, the piece invited visitors to experience privacy while subtly exposing them to surveillance through the artists’ presence. After deinstallation, the material was largely discarded, highlighting the artwork’s full lifecycle from waste to art and back to waste.

By Whitehot Magazine of Contemporary Art
Spencer Lewis: Straight, No Chaser by Edward Waisnis
News•Mar 9, 2026

Spencer Lewis: Straight, No Chaser by Edward Waisnis

Spencer Lewis, a RISD and UCLA graduate, presents his solo show “Afterpiece” at Thomas Erben Gallery in New York, running February 20–March 28, 2026. The exhibition blends his East‑Coast origins with Los Angeles‑derived vigor, showcasing thick oil on jute works that echo Twombly, Rauschenberg, and...

By Whitehot Magazine of Contemporary Art
Keith Haring Returns to the East Village by Scott Orr
News•Mar 6, 2026

Keith Haring Returns to the East Village by Scott Orr

The Brant Foundation opens a Keith Haring exhibition in its East Village gallery from March 11 to May 31, 2026, spotlighting the artist’s breakthrough period between 1980 and 1983. Nine monumental works and eight surviving subway chalk drawings illustrate Haring’s transition from...

By Whitehot Magazine of Contemporary Art
Interview with Artist Cooper Cox by Marcarson
News•Feb 27, 2026

Interview with Artist Cooper Cox by Marcarson

Cooper Cox describes his paintings as containers for uncertainty, where a structural framework invites controlled chaos. He emphasizes texture as the core of his process, allowing instability to shape the final image. Cox says risk has become more precise, targeting...

By Whitehot Magazine of Contemporary Art
New York City Confronting the Abject; Feeding the Load, Regulated Dosage at FRISSON by Jonah Romm
News•Feb 27, 2026

New York City Confronting the Abject; Feeding the Load, Regulated Dosage at FRISSON by Jonah Romm

The Frisson Gallery’s new exhibition "Feeding the Load, Regulated Dosage" showcases the work of Echo Yan and Cass Yao, curated by Rui Jiang. The show blends biomorphic sculptures, repurposed household objects, and AI‑generated video to create a visceral posthuman environment....

By Whitehot Magazine of Contemporary Art
PAGING DR. FEELGOOD via Perrotin, Los Angeles by Piper Olivas
News•Feb 25, 2026

PAGING DR. FEELGOOD via Perrotin, Los Angeles by Piper Olivas

PAGING DR. FEELGOOD, a pop‑up group show presented by Perrotin, opened in Los Angeles during LA Art Week, occupying the former Spago venue. The exhibition stages four thematic sections that blend bar culture, hyperreal landscapes, gender‑bending portraits, and a shrine‑like finale...

By Whitehot Magazine of Contemporary Art