The Yale‑University‑Press volume "Gwen John: Strange Beauties" accompanies a landmark retrospective that reunites the artist’s oils, watercolors and drawings for the first comprehensive survey in four decades. Curated by Rachel Stratton and Lucy Wood, the show travels from National Museum Cardiff to Scotland, Yale, and Washington, D.C., spotlighting John’s nuanced modernist vision and feminist‑tinged perspective. The publication foregrounds her prolific works on paper—over 900 pieces—revealing a more experimental, colour‑rich practice than previously acknowledged. By dismantling the oil‑centric hierarchy, the project repositions John as a pivotal figure in early twentieth‑century art.
In a Yale University Press interview, avant‑garde Chinese writer Can Xue discusses her latest novel, *The Enchanting Lives of Others*, describing it as an experimental, chapter‑less work that unites essential and worldly lives through the act of reading. She frames reading...