Aileen Murphy at Deborah Schamoni

Key Takeaways

• Exhibition runs Jan‑Mar 2026 at Deborah Schamoni, Munich
• Murphy explores domestic interiors through layered, immersive installations
• Title suggests subversive examination of hidden domestic narratives
• Gallery highlights emerging Irish artists in European market
• Critical response anticipates increased collector interest in Murphy’s work

Summary

Aileen Murphy’s solo exhibition "We must go under the wallpaper" opens at Deborah Schamoni in Munich from January 9 to March 21, 2026. The show presents a series of installations that interrogate domestic spaces through layered, immersive constructions. Curatorial materials, including a press release and works list, emphasize Murphy’s focus on hidden narratives within everyday interiors. The exhibition marks a significant European platform for the Irish artist’s evolving practice.

Pulse Analysis

Aileen Murphy has quickly become a compelling voice in contemporary art, known for transforming ordinary household objects into complex, site‑specific installations. Her practice, rooted in an investigation of memory and materiality, often blurs the line between sculpture and architecture, inviting viewers to reconsider the familiar. By situating her work within the historic context of Munich’s art scene, Murphy extends her dialogue beyond personal narrative, engaging with broader European conversations about space, gender, and the politics of the private sphere.

The "We must go under the wallpaper" exhibition, running from early January through late March 2026, showcases a curated selection of Murphy’s recent pieces, as detailed in the gallery’s press release and comprehensive works list. Curator Deborah Schamoni frames the show around the concept of uncovering what lies beneath surface aesthetics, employing layered materials, translucent fabrics, and reclaimed domestic artifacts. This approach creates immersive environments that compel audiences to navigate both physical and psychological layers, reinforcing Murphy’s thematic focus on concealed stories and the unseen labor embedded in everyday objects.

From a market perspective, the exhibition positions Murphy as a rising star poised for increased demand among collectors and institutions seeking fresh perspectives on domesticity. Deborah Schamoni’s commitment to promoting emerging talent, particularly from Ireland, amplifies the artist’s visibility across Europe and beyond. Anticipated critical acclaim and robust visitor numbers are likely to translate into heightened auction interest and potential museum acquisitions, underscoring the exhibition’s strategic importance for both the artist’s career trajectory and the gallery’s portfolio diversification.