Maggi Hambling & Sarah Lucas, OOO LA LA, to Open in Berlin.

Key Takeaways

• Hambling and Lucas showcase parallel works, not joint studio.
• Exhibition explores sex, death, intimacy through painting and sculpture.
• Lucas’s "Blue Bunny" uses gendered materials, surreal tone.
• Hambling calls oil paint "sexy," emphasizing sensual materiality.
• Berlin run adds new works, follows London debut.

Summary

Contemporary Fine Arts Berlin presents OOO LA LA, a joint exhibition by British artists Maggi Hambling and Sarah Lucas, running March 13‑April 25, 2026. The show pairs Hambling’s intimate oil portraits with Lucas’s sculptural installations, highlighting their parallel development rather than a collaborative studio process. Central themes of sex, death, and everyday rituals are explored through works such as Hambling’s "Sarah at work" and Lucas’s "Blue Bunny" and cigarette‑based portraits. The Berlin presentation expands on a London debut, incorporating recent pieces tailored to the gallery’s space.

Pulse Analysis

The pairing of Maggi Hambling and Sarah Lucas arrives at a moment when Berlin’s galleries are actively courting high‑profile British talent, and OOO LA LA exemplifies that strategic pull. Hambling, celebrated for her emotive portraiture and queer icon status, brings a tactile sensuality to oil that she describes as "making love" with the medium. Lucas, meanwhile, continues her legacy of subversive sculpture, turning everyday objects—high heels, nylon stockings, even cigarettes—into provocative figurative statements. Together, their works converse across material boundaries, creating a visual dialogue that feels both intimate and confrontational.

At the conceptual core, the exhibition navigates the uneasy coexistence of sex and death, a motif that resonates with contemporary cultural anxieties. Lucas’s "Blue Bunny" juxtaposes a plush rabbit form with stark, gendered accessories, while Hambling’s portraits of the artist capture fleeting moments of laughter and concentration, freezing personal rituals in paint. The recurring motif of smoking—rendered in both canvas and cigarette‑based assemblage—acts as a metaphor for shared habit, intimacy, and the fleeting nature of performance. By presenting these pieces side by side, the show amplifies each artist’s narrative, allowing viewers to trace echoing rhythms and tonal shifts across disciplines.

From a market perspective, OOO LA LA signals a lucrative model where parallel practices are curated as a unified experience rather than a traditional collaboration. Collectors are drawn to the rarity of seeing two established artists in a synchronized yet independent showcase, boosting provenance value for both new and existing works. Moreover, the Berlin run’s adaptation of the London installation demonstrates how flexible exhibition design can extend a show’s lifespan and geographic reach, offering galleries a template for maximizing exposure while preserving artistic intent.