Artist Hyeree Ro Walks Us Through the Process Behind Her Pavilion Project "Bearing".

Why It Matters

The pavilion demonstrates how innovative material processes can reshape temporary architecture, signaling new collaborative pathways between art and design.

Key Takeaways

• Artist Hedwig Ross creates 1:20 scale pavilion "Bearing" in Venice
• Project explores bearing weight, movement, and fluid spatial experience
• Construction uses raw materials, wax-dipping, and hand‑crafted panels
• Current progress: 20 meters built toward 51‑meter total length
• Studio workflow involves multiple stations, constant movement, and iterative design

Summary

Artist Hedwig Ross walks viewers through her 1:20‑scale pavilion “Bearing,” slated for the Jardini exhibition in Venice. The work translates the literal meaning of “bearing” – to support weight – into a sculptural environment that invites movement and flow.

Ross’s studio practice centers on raw‑material object making. She employs wax‑dipping to join panels, hand‑crafts circular elements, and moves between several workstations, creating a constant rhythm of construction. The pavilion will span roughly 51 meters, with 20 meters already assembled.

“I need about 51 meters; currently we’re at 20,” Ross notes, emphasizing the project’s incremental progress. She describes the finished panels as “perfect for working on these circles,” highlighting the precision required for the modular design.

The project illustrates how experimental fabrication can merge artistic intent with architectural scale, offering a model for temporary installations that balance structural logic with expressive movement. Its visibility at a high‑profile Venice venue could influence future interdisciplinary collaborations.