Close Looking: Allegory of Avarice (a Fancy Word for Greed)
Why It Matters
The piece exemplifies how early modern Dutch artists combined naturalistic observation with symbolic storytelling to convey moral lessons; its enduring imagery offers a concise visual prompt to consider personal and societal greed. For museums and scholars, it underscores the power of small-scale works to communicate complex ethical ideas across centuries.
Summary
Stephanie Schrader, Curator of Drawings at the Getty, discusses Jacques de Gheyn’s circa-1608 drawing Allegory of Avarice, a compact five-by-seven inch work that blends life observation with imaginative exaggeration. De Gheyn renders an unattractive, anthropomorphic frog—elongated limbs, a humped back, claw-like hand clutching coins and a globe—to symbolize greed, using dark brown ink and precise hatching to create texture and three-dimensionality. Schrader highlights the artist’s skill in drawing from life and imagination, noting how minute details (the beady eye, attenuated leg, and hatched sphere) amplify the allegorical message. She argues the image’s moral critique of avarice resonated with 17th-century Dutch viewers and retains relevance for contemporary reflection on selfish behavior.
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