Conversations: Klára Hosnedlová and WangShui with Sam Bardaouil | White Cube
Why It Matters
The discussion highlights how material choices and perceptual strategies redefine audience engagement, signaling a move toward more experiential, interdisciplinary art that blurs the boundaries between craft, technology, and collective consciousness.
Key Takeaways
- •Artists explore perception vs representation through material and light.
- •Klára uses embroidery intuitively to escape fine‑art pressure.
- •WangShui links dream logic with AI data manipulation.
- •Installation design balances viewer experience with architectural context.
- •Material choices contrast organic fibers with sterile digital media.
Summary
The White Cube conversation brings together Klára Hosnedlová and WangShui to interrogate what it means to speak through material in contemporary art. Both artists examine the tension between representation—recognizable imagery—and perception, a mode of sensing that destabilises the image, while also probing how light, texture and the physicality of objects shape that experience.
Hosnedlová describes her shift from large canvases to hand‑stitched embroidery as a way to sidestep the pressure of traditional fine‑art outcomes. Working from a modest home studio, she emphasizes intuition, calm, and the domestic origins of thread to create monumental installations that feel fragile against masculine, metal‑laden architecture. WangShui, by contrast, draws on dream research and AI‑driven image generation, treating the collective unconscious as a mutable dataset that blurs emotion, representation and atmosphere.
Key moments include Hosnedlová’s description of slicing a windowless gallery wall to invite natural light, and her reference to a physics‑of‑light book that sparked her fascination with aluminum’s refractive index. WangShui notes that dreams function as a form of intelligence in many cultures, offering a lexicon that parallels machine‑learning data reshuffling. Both artists stress giving visitors freedom to navigate the space, using sound, light, and material layering to encourage personal interpretation.
The dialogue underscores a broader shift toward interdisciplinary practice, where materiality, technology and phenomenology converge. By foregrounding process over product, the artists model a mode of creation that invites audiences to become active participants, reshaping how institutions present and contextualise immersive, sensorily rich works.
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