Inside an Artist’s Secret Attic Studio

Why It Matters

The piece illustrates how simple, everyday materials can fuel innovative artistic expression, encouraging creators to adopt resourceful, personal approaches that resonate with audiences.

Key Takeaways

• Artist uses cooking oil for mechanical‑style drawings in attic
• Hybrid creatures blend dolls, humans, and fantastical forms
• Felt sculptures serve as hands, flowers, and dinosaurs
• Embroidered yarn captures fleeting phrases during slow reading
• Attic studio doubles as personal sanctuary with dog Haru

Summary

The video offers a guided tour of an artist’s hidden attic studio, where she transforms a cramped loft into a laboratory for odd‑shaped drawings and handcrafted objects.

She explains her unconventional technique of using kitchen cooking oil to achieve a mechanical texture, and describes how she populates her sketchbooks with hybrid creatures that are “not quite a doll, not quite a human, not quite a fairy.” Felt pieces double as hands, flowers, even dinosaurs, while yarn embroidery preserves favorite phrases as a “slow reading” ritual.

“I wanted to capture the feeling of words disappearing from memory,” she says, stitching snippets onto fabric. The artist also showcases a small felt dinosaur and a hand‑like sculpture, and introduces her dog Haru, who wanders the attic as she works.

By repurposing everyday materials and embracing a whimsical, personal narrative, the artist demonstrates how low‑cost experimentation can generate distinctive visual language, offering inspiration to creators seeking authentic, resourceful practices.

Original Description

Climb into the attic above Sujin Choi’s studio—a small, almost secret space she shares with her dog, Haru.

The room is filled with felt creatures that she makes by hand. They’re not quite dolls, not quite animals—forms that don’t have clear names. While they aren’t directly part of her paintings, their textures and surfaces quietly influence her work.

Reading is another part of her process. She prefers writing to speaking and often gathers phrases from books she wants to hold onto—sometimes stitching them slowly in yarn. It’s her way of keeping thoughts from slipping away.