Inside The Met's Frank Lloyd Wright Room
Why It Matters
The room illustrates Frank Lloyd Wright’s transition from ornate to modernist design, reinforcing the Met’s role in preserving pivotal architectural history for future designers and scholars.
Key Takeaways
- •Met acquired Frank Lloyd Wright’s Wayzata summer house in 1971.
- •Room showcases two design phases: early Peoria and later European‑inspired.
- •Light fixture provides constant illumination, never a skylight.
- •Original house demolished; Met saved interior as period‑room exhibit.
- •Furniture contrast highlights Wright’s evolution from ornate to sculptural simplicity.
Summary
Inside the Metropolitan Museum of Art’s Frank Lloyd Wright Room, curator guides reveal a summer house originally built in Wayzata, Minnesota, between 1912 and 1914 for the Little family. The Met acquired the entire structure in 1971 and installed the reconstructed room in 1982 after the original building faced demolition.
The room contains two distinct design epochs. An early chair from the Littles’ Peoria house displays dark‑finished oak, ornate moldings, and an upside‑down capital, reflecting Wright’s pre‑World War I aesthetic. A later piece, the guide’s favorite, features clear‑finished oak, minimalist lines, and a sculptural form inspired by Gerrit Rietveld and other European modernists, illustrating Wright’s shift toward simplicity.
A standout element is the overhead lighting fixture, described as “one of the greatest glories of the room,” which was designed as a permanent light attic rather than a skylight, ensuring illumination at any hour. The acquisition story underscores the intervention of Midwestern architectural historians who alerted the museum when zoning issues threatened the house’s demolition.
Preserving the Wright room offers scholars and visitors a tangible narrative of the architect’s stylistic evolution and highlights the Met’s commitment to safeguarding architectural heritage. It also provides a reference point for contemporary designers seeking to balance ornamentation with modernist restraint.
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