Inside This LA Artist's Studio Before Her Exhibition

Why It Matters

The artist’s studio reveals how immersive, cross‑disciplinary practices are reshaping contemporary exhibition formats, offering collectors and galleries a compelling model for experiential engagement.

Key Takeaways

• Artist creates large skeletal and arboreal installations for upcoming show
• Material experiments include cast architectural elements and painted organza layers
• Ongoing series juxtaposes global flower motifs in a single setting
• Visuals draw from past-life visions and psychedelic multi-location themes
• Studio layout integrates modeling, painting, and conceptual planning spaces

Summary

The video offers an intimate walkthrough of a Los Angeles artist’s studio as she prepares for an upcoming exhibition. Viewers see a sprawling workspace divided into zones: a model section where she maps out show concepts, a material-testing area featuring cast architectural elements, and a painting corner filled with layered organza canvases.

Key projects in progress include monumental “bones” and tree sculptures that serve as “pass‑throughs of knowledge,” as well as a two‑year‑old series that assembles flowers from disparate continents into a single tableau. The artist also experiments with painted organza, creating ethereal, translucent surfaces that echo her past‑life visualizations.

She explains that her work is driven by a desire to “live in multiple places at once through psychedelic experiences,” seeking connection across bodies and geographies. This thematic through‑line unites the sculptural, botanical, and painterly elements, turning the studio into a laboratory for multi‑sensory narrative.

The exhibition promises an immersive, interdisciplinary experience that reflects broader trends toward experiential art and cross‑cultural synthesis, signaling fresh opportunities for collectors and institutions interested in boundary‑pushing installations.

Original Description

Meet Rosha Yaghmai. Ahead of her show at Chapter NY, we visited her LA studio for a sneak preview. 

For Rosha, landscape goes beyond scenery — it's a lens for thinking about memory, the body, and how we experience the world. Her works pull together places that could never share the same map, building imagined environments from personal visions and something almost like past-life recall. What ties it all together is this feeling of wanting to exist in multiple places at once. Through layered images and shifting forms, she chases the idea of connection — between people, between histories, between different versions of being alive.

Roving Wire

Mar 6–Apr 18, 2026

Chapter NY

New York 🇺🇸