Karmapa, the Great Precious Dharma King
Why It Matters
The piece illustrates the intersection of spiritual authority, transnational artistic exchange and elite collecting, offering museums and collectors a rare example of 15th-century Tibetan-Chinese syncretism with documented provenance. Its provenance and craftsmanship enhance its cultural and market value for institutions and high-end collectors.
Summary
A monumental 15th-century gilt-bronze sculpture of the Karmapa—titled the Great Precious Dharma King—combines spiritual iconography, imperial luxury and refined craftsmanship. The figure’s serene, resolute expression and Bhumisparsha mudra evoke the moment of Buddhist enlightenment, while an inscribed identification and a richly adorned robe link it to high monastic rank and Chinese courtly influence. The garment’s exclusivity underscores the statue’s role as both a religious emblem and an object of imperial prestige. Centuries later the work entered the collection of French diplomat Kund Dammier de Martel and was displayed at his Cap d’Antibes villa, later a cultural salon under Lady Nancy Phyllis Astor.
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