Sarah Sze: Feel Free / Gagosian Beverly Hills

Why It Matters

The show reinforces Sze’s position as a leading figure in experiential art, while Gagosian’s platform amplifies market demand for immersive, multimedia installations that attract high‑net‑worth collectors.

Key Takeaways

• Two new video installations manipulate light, shadow, and time
• Paintings fuse oil, acrylic, photography, and digital collage
• Three connected galleries create a fluid, narrative spatial flow
• Sze’s work reflects and critiques today’s image‑overloaded environment
• Gagosian’s backing signals strong collector appetite for immersive art

Pulse Analysis

Sarah Sze’s "Feel Free" at Gagosian Beverly Hills marks a pivotal moment in her career, uniting video, painting, and collage in a cohesive narrative about perception. The exhibition’s two video pieces—Sleepers (2024) and Once in a Lifetime (2026)—project light onto suspended forms, turning the gallery into a kinetic lightscape that reacts to the viewer’s movement. By integrating oil, acrylic, photographs, and digital imagery, Sze’s paintings become layered archives of personal and collective memory, echoing the fragmented visual diet of the digital age.

The installation’s architecture—three interlinked rooms—mirrors the fluidity of contemporary media consumption, where boundaries between content, context, and audience blur. Sze’s use of projected light on shaped surfaces creates a rhythmic dialogue between illumination and shadow, prompting viewers to reconsider how time and space are constructed in visual culture. This approach aligns with a broader trend among artists who leverage technology to craft immersive experiences, positioning Sze at the forefront of a movement that values sensory engagement over static display.

From a market perspective, Gagosian’s endorsement of "Feel Free" signals robust collector interest in large‑scale, multimedia works that command premium prices. The exhibition’s blend of high‑concept narrative and tactile execution appeals to both institutional buyers and private patrons seeking distinctive, experiential pieces. As museums and galleries worldwide prioritize immersive programming, Sze’s practice offers a blueprint for future exhibitions that fuse technology, materiality, and storytelling, reinforcing her status as a catalyst for evolving contemporary art market dynamics.

Original Description

Feel Free was the title of Sarah Sze’s solo exhibition at Gagosian Beverly Hills in February 2026. The exhibition included two large video installations — Sleepers (2024) and Once in a Lifetime (2026) – and a new series of large paintings. Sze uses collage across different mediums to create works that explore how images, light, and space interact in today’s media-filled world. The three connected gallery spaces feature changing relationships between light, materials, and time. Images appear, fragment, move across surfaces, fade into shadow, and reappear in subtle ways, connecting what is seen to personal memories. The video installations use projected light on suspended or shaped surfaces to create shifting, rhythmic visual experiences. The paintings combine oil, acrylic, photographs, digital images, collage, and objects to blend real and remembered scenes in layered compositions.

Sarah Sze: Feel Free / Gagosian Beverly Hills. February 28, 2026.

00:00 - Sleepers, 2024

02:24 - Paintings:

03:02 - Elsewhere, 2026

03:31 - Breathless, 2026

03:53 - Love Letter, 2026

04:10 - Escape Artist, 2026; White Night, 2026; Feel Free, 2026

05:04 - Once in a Lifetime, 2026

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